Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
The opening of what seems to be an old kitchen door. A warning to keep
your head down, and we go stooping into a room dug in the ground, at the
other end of which a genial, gray-haired man, whom you instantly decide
is Colonel Meyer of the Seventeenth Infantry, is rising from beside a
homemade table spread with military maps, a hospitable smile on his
ruddy face.
"Welcome," he is saying in German. "So you got up the road all right?"
A sudden suspicion possesses me, and after introductions are over, I
ask: "Colonel, there were too many bullets on that road. Where did they
come from? Wild?"
"Wild?" he chuckled. "Why, sir, that road is our line of communication.
It is watched and is covered by French sharpshooters. We lose half a
dozen men on it every day."
And the officers at Brigade Headquarters smiled.
* * * * *
5:57 P. M. The broad wooden benches against the walls seem to us as
comfortable as a cushioned lounge, and repeating, with many a "_glaube
mir_"--which the Colonel and his Adjutant are quick to catch on to as
the "believe me" of American slang--that wild horses couldn't drag us
out on that road again, we take in the details of the room. It is about
ten feet from where I sit to the strip of burlap covering the earthen
wall behind the opposite bench. I should say that from the shelf, where
the Colonel has his personal belongings, down to the other end of the
room, which the glow from our big oil table lamp only lights faintly, is
about twenty-five feet, enough for men to sleep on the benches along
either wall. In the middle squats a red bellied stove, its pipe going up
through the roof. The door looks as if it came from a farmhouse kitchen;
it is paneled with four little squares of glass, one of them cracked,
probably from the concussion of a bursting shell.
Yes, the timbers overhead look strong, intensely safe unless a _grenat_
should burst squarely on top of them. And only by one chance in a
thousand could a shrapnel ball fly down through the door. Yes, it seems
safe in here; slowly we began to forget about the road. The Colonel
excuses himself to study a map that seems to have been done by a
stencil, and I cannot help but notice that it has been executed to the
most minute detail, even individual trees and bushes being marked. I
wonder what the scale is. I have to compel myself to glance elsewhere,
for the fascination of the map is strong.
Public-domain text, read in full here on John Shaqi.
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