Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
You recognize _Puppchen_. Leisurely beating time, sipping a glass of
coffee that our orderly with the Iron Cross has filled for him from a
pot that simmers on the squat coal stove, the leader is having the time
of his life. They play some old German Folk songs, and once the
harmonica man is late in starting and receives a boisterous reprimand
from the leader. They are singing now, "_Röslein auf der Heide ...
Morgen Rot_," and you think how sinister the words are, "leads me to an
early death." Red morning! Will it ever be for them? Even here under the
earth I can hear the hungry growling of the shells.
Modestly the leader is telling us that the Bavarian musicians are the
best in Germany, "therefore our band is the best in the trenches," and
the Colonel is beaming on them all. The orderly with the Iron Cross,
who, unable to speak a word of English, has been smiling at me all
night, urges us to take some more coffee; and it's "Good-by, boys! Good
Luck," and we're out into the battle-shaken night.
"Want to have a look at it?" Hauptmann Koller asks me. I nod, yes.
Hugging the wall, Koller and I turn the corner of the barn and slowly go
down the open space between the buildings, that we had rushed past
earlier in the evening, plastering ourselves against the walls. As if
that would do us any good! We can hear the French bullets whistling by,
and the air is shaking with heavy guns.
"After eleven," remarks Koller, "I fancy the French are at it with big
_grenaten_," and as he speaks I see a flash in the trees not two hundred
meters away and a field piece discharges with a crash. "Our seven
answering them," Koller is pointing towards where a greenish light seems
to flash in the sky. "Over there about a mile," he says, "is the Ypres
Canal. The Thirty-sixth Division is on the other bank, and as soon as
they push back the French, we'll go ahead again," he speaks with a quiet
confidence that makes you feel that the advance of his regiment is a
matter of course.
"Come down here," he suggests, "and you can see the battle. Don't scorn
the shelter of those trees. Keep them between you and the trenches. Go
from one tree to the other."
I hear him splash through the mud; he is waving from behind a tree. I
plow after him, going so fast that I almost slip and fall. The whistle
of a bullet will make you move faster than you ever thought possible.
Out of breath we come to the edge of the little grove and look out on
the battlefield.
It is all color and noise--unearthly colors, unearthly noises. I stand
at the edge of an Inferno. The heavens streak with a sulphurous green,
and the earth is scarred with flame. I see the rockets swishing up from
the trenches, breaking with the weird light that would reveal any enemy
creeping up, and falling in a shower of sparks, like shooting stars. It
gives a strange confirmation of an old saying that when a star falls
some one dies.
Public-domain text, read in full here on John Shaqi.
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