Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
I see the steady, streaming, reddish line of rifle fire and the yellow
flash of shells. I hear their fierce, harsh croaking and their deafening
boom. I see, in the burst of a rocket, the wet fields glistening with
mud; and the night crashes and rolls with awful clamor.
Koller is handing me his binoculars. Through them I can see the Ypres
Canal, a monstrous glistening water snake, sleepily drinking the blood
of men. It is a green night, a green land, a universe gone mad, for the
sky was never meant to shine with those hideous lights. And the rockets
spread their fiery trail and spill their hideous glare; and the line of
fire brightens and grows dim and brightens again; perhaps as men are
falling and others are springing to their places, and I turn my glasses
on the glistening fields, and think I can see the columns of fours, the
mounds of the dirt, the color of the mud, and I can hear the bullets
panging in the mud at our feet. How they must be riddling the bodies of
the dead!
"I've had enough," I tell Hauptmann Koller.
We say good night and cross the farmyard. The din of the battle seems to
have died down, although the bullets still whistle and rattle among the
dried trees. We lie down on the benches in the bombproof, with our
clothes on, with the dirty blankets over us. Our night of nights is
done.
12 P. M. to 6 A. M. Bits of dirt from the ceiling fall on my face.
Hauptmann Koller is snoring.... The guns are rumbling again. Koller
snores blissfully on. The cannonading is terrific. Those poor devils
down in the trenches.... The cannonading sounds fainter and fainter....
The handsome orderly with the Iron Cross is flashing a lamp on Koller's
blanket. "All right," calls Koller, but in a moment he's snoring. Only
stray rifles are crackling now. The glowing phosphorescent face of the
watch on my wrist shows six o'clock. Morning! Hauptmann Koller is
already out of bed.
"Good morning," he says, with a yawn. "The orderly was in a minute ago.
Breakfast will be served at six-thirty."
In the trenches it's the hour when they pick up the dead.
VII
IN THE TRENCHES
By the first of October, 1914, every European war map had become a bore.
After Von Kluck had conducted what a United States military attaché in
Berlin told me was the most masterly retreat in the history of the
world, the black fishhook line stopped moving across northern France and
fastening its barb in Belgium, it ceased to move. Day after day, as we
read the newspapers we saw that the line was the same; perhaps near
Dixmude or Mulhausen it changed from time to time, but by November first
it was evident that it was there to stay--for a time at least--and war
maps became a bore. The reality of that line of ink is not, I assure
you.
Public-domain text, read in full here on John Shaqi.
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