Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
I went down into one of the dugouts. I saw a square hole in the earth
where one had to move about stooped. A candle flickered on an empty box
and in the corner I saw two piles of mud-caked blankets. A pair of wet
socks hung from a string that had been fastened in some miraculous way
from wall to wall and a soldier was straining his eyes in the
candlelight, reading the tiny Bible which is part of the equipment of
every German private. Perhaps I do the man an injustice but I imagined
he was reading because he was bored; and that by the time this war is
over, more Germans will know their Bible from cover to cover because of
hours in the trenches when they had nothing else to do. I saw no
crucifix in that room in the ground--and I have seen crucifixes in
bombproofs--but I saw another cross, the Maltese outlines of the Iron
Cross dug in the dirt wall, and I thought of it as that soldier's dream.
At the next passage to a rifle pit, the officers stopped and I saw that
here were no soldiers on watch and that a narrow passageway opened up
into the field.
"That is the way we advance our trenches," explained the Captain. "At
different points we dig out like this and then after we have gone out
awhile, we dig sideways in both directions, parallel to this trench.
Soon the different little trenches that are being dug that way, meet.
Then they are deepened and the soldiers leave pits here and take the new
position."
It was the method, as old as fortifications that the Japanese gave
perfected, to the military world at Port Arthur and that the Bulgarians
copied around Adrianople, and it is the way by which the --th Infantry
finally closed in Arras, the way the whole German line, meter by meter,
is moving France, creeping this time, not running wild over the country
side, as during those wild August days, but gaining slowly here, losing
slowly there, instead of being driven back across their own frontier, as
the English newspapers promised they would be long before this writing.
I went up into one of the little outpost trenches. The approach was
shallow and you had to walk doubled over. I passed a door of solid iron
that slid into a groove dug in the mud, and through another gate, this
one of wood and tangled with barbed wire.
Public-domain text, read in full here on John Shaqi.
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