Although, in comparison with this great creative artist, my own sphere is so humble, my understanding of this one dominating interest is sufficiently complete to justify me in applying his words to myself. Like Chaplin, I can not think of myself out of pictures. For to do that would be to turn my back on the far horizon which has always called me to it. In the ten years since I entered that little Broadway motion-picture theatre with its static Western drama, its player-piano, and its far-flung peanut-shells, giant changes have taken place. Then film-production attracted few men and women of real intellectual capacity. To-day we see a former member of the United States Cabinet presiding over its destinies. Then the motion-picture theatre was as sporadic as it was stunted and disfigured. To-day the smallest hamlet puts up its first motion-picture theatre at the same time that it erects its first church, and in the larger communities costly edifices have followed in the wake of the costly picture. Eight years ago the twenty thousand dollars which the Lasky Company expended upon “Carmen” was considered a vast sum. To-day the Goldwyn Company is investing nearly a million in its production of “Ben Hur.” With the development of our industry has come a corresponding development in the life of the country. Motion-pictures are, in truth, the magic travelling carpet on which those in the most remote village may fly to distant lands, to other ages, to realms of romance hitherto denied them. No other agency, not even the automobile, has combated so successfully the isolation of the rural communities. When I think of the glow which pictures have brought to so many lustreless lives all through the world, I am tempted, indeed, to overlook all the defects of the industry and to dwell only upon its perfections. Yet defects there certainly are. Undoubtedly the ten years to come will do much to remove them. My own faith in the next decade is a firm one, and to this new era of expansion I wish to dedicate whatever of ability, whatever of judgment I have gained from the experiences set down in these chapters. THE END Transcriber’s Notes Punctuation, hyphenation, and spelling were made consistent when a predominant preference was found in the original book; otherwise they were not changed. Some simple typographical errors were corrected; unbalanced quotation marks were remedied when the change was obvious, and otherwise left unbalanced. Illustrations in this eBook have been positioned between paragraphs and outside quotations. In versions of this eBook that support hyperlinks, the page references in the List of Illustrations lead to the corresponding illustrations. End of the Project Gutenberg EBook of Behind the Screen, by Samuel Goldwyn