Behind the Veil in Persia and Turkish Arabia: An Account of an Englishwoman's Eight Years' Residence Amongst the Women of the EastHume-Griffith, M. E.
Philosophy
Behind the Veil in Persia and Turkish Arabia: An Account of an Englishwoman's Eight Years' Residence Amongst the Women of the East
Hume-Griffith, M. E.
Arabian Peninsula -- Social life and customs; Iran -- Social life and customs
First of all came six gaily decorated camels, with men riding
upon them, beating drums and making a tremendous noise. Then
came more camels carrying the tent furniture and other goods,
followed by horses and mules laden with heavy loads. After these
came four stretchers borne by men, on which lay four dead bodies
(figures stuffed) representing Hassain and his three brothers, who
perished from want of water, which had been cut off from them by their
enemies. On each dead body sat a dove, supposed to be mourning. Then
came a horrible sight, one which I never wish to see again. About a
hundred madly excited men dressed in long white robes, armed with
swords, were slashing their heads until the blood was streaming
down their faces on to the robes, white, alas, no longer! As they
reached the tank of water they formed into a line all round it, and
kept up for some length of time a horrible kind of war dance. It was
a ghastly sight. The dancers looked more like demons than men. One
poor man fainted from loss of blood, and had to be carried away,
and a little boy of about eight years of age also collapsed. It was
bad enough to see grown men cutting themselves, but to see the little
children being wounded in this way was terrible. This is, of course,
looked upon as a work of great merit. The more numerous and deeper
the gashes, the greater the merit they accrue to themselves. The
wild dance was continued till a sign was given to the dancers by
the governor, that he had seen enough to satisfy him. Then they all
lined up in front of the verandah where the governor was sitting, and
demanded that five notorious prisoners should be released from the
prison close by. He at once acceded to their request, as it was the
custom at this festival for the governor to release from the prison
any prisoners who are interceded for by these wild, fanatical dancers.
After this ghastly sight came a motley crowd of men and children on
horses, all beating their breasts or heads. Some of the riders were
so tiny that they had to be held on to their steeds by men-servants.
Then came another body on a bier, with a man dressed in a lion's skin,
embracing and fondling the dead body. It looked so weird to see the
pseudo-lion kissing and hugging the remains of its late friend and
master, and expressing in various ways great sorrow and anguish over
its loss.
Public-domain text, read in full here on John Shaqi.
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