Autobiographies; Boys -- Biography; Country life; New England
If ever a boy honestly tried to work himself into a conviction of sin,
John tried. And what made him miserable was that he couldn't feel
miserable when everybody else was miserable. He even began to pretend
to be so. He put on a serious and anxious look like the others. He
pretended he didn't care for play; he refrained from chasing chipmunks
and snaring suckers; the songs of birds and the bright vivacity of
the summer time that used to make him turn hand-springs smote him as a
discordant levity. He was not a hypocrite at all, and he was getting
to be alarmed that he was not alarmed at himself. Every day and night
he heard that the spirit of the Lord would probably soon quit striving
with him, and leave him out. The phrase was that he would "grieve
away the Holy Spirit." John wondered if he was not doing it. He did
everything to put himself in the way of conviction, was constant at the
evening meetings, wore a grave face, refrained from play, and tried to
feel anxious. At length he concluded that he must do something.
One night as he walked home from a solemn meeting, at which several of
his little playmates had "come forward," he felt that he could force
the crisis. He was alone on the sandy road: it was an enchanting summer
night; the stars danced overhead, and by his side the broad and shallow
river ran over its stony bed with a loud but soothing murmur that
filled all the air with entreaty, John did not then know that it sang,
"But I go on forever," yet there was in it for him something of the
solemn flow of the eternal world. When he came in sight of the house,
he knelt down in the dust by a pile of rails and prayed. He prayed
that he might feel bad, and be distressed about himself. As he prayed
he heard distinctly, and yet not as a disturbance, the multitudinous
croaking of the frogs by the meadow-spring. It was not discordant with
his thoughts; it had in it a melancholy pathos, as if it were a kind of
call to the unconverted. What is there in this sound that suggests the
tenderness of spring, the despair of a summer night, the desolateness
of young love? Years after it happened to John to be at twilight at
a railway station on the edge of the Ravenna marshes. A little way
over the purple plain he saw the darkening towers and heard "the
sweet bells of Imola." The Holy Pontiff Pius IX. was born at Imola,
and passed his boyhood in that serene and moist region. As the train
waited, John heard from miles of marshes round about the evening song
of millions of frogs, louder and more melancholy and entreating than
the vesper call of the bells. And instantly his mind went back—for the
association of sound is as subtle as that of odor—to the prayer, years
ago, by the roadside and the plaintive appeal of the unheeded frogs,
and he wondered if the little Pope had not heard the like importunity,
and perhaps, when he thought of himself as a little Pope, associated
his conversion with this plaintive sound.
Public-domain text, read in full here on John Shaqi.
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