Autobiographies; Boys -- Biography; Country life; New England
But I do not think his early education was neglected. And yet it is
easy to underestimate the influences that, unconsciously to him, were
expanding his mind and nursing in him heroic purposes. There was the
lovely but narrow valley, with its rapid mountain stream; there were
the great hills which he climbed only to see other hills stretching
away to a broken and tempting horizon; there were the rocky pastures,
and the wide sweeps of forest through which the winter tempests
howled, upon which hung the haze of summer heat, over which the great
shadows of summer clouds traveled; there were the clouds themselves,
shouldering up above the peaks, hurrying across the narrow sky,—the
clouds out of which the wind came, and the lightning and the sudden
dashes of rain; and there were days when the sky was ineffably blue and
distant, a fathomless vault of heaven where the hen-hawk and the eagle
poised on outstretched wings and watched for their prey. Can you say
how these things fed the imagination of the boy, who had few books and
no contact with the great world? Do you think any city lad could have
written "Thanatopsis" at eighteen?
[Illustration: SLIPPERY WORK]
If you had seen John, in his short and roomy trousers and ill-used
straw hat, picking his barefooted way over the rocks along the
river-bank of a cool morning to see if an eel had "got on," you
would not have fancied that he lived in an ideal world. Nor did
he consciously. So far as he knew, he had no more sentiment than a
jack-knife. Although he loved Cynthia Rudd devotedly, and blushed
scarlet one day when his cousin found a lock of Cynthia's flaming hair
in the box where John kept his fish-hooks, spruce gum, flag-root,
tickets of standing at the head, gimlet, billets-doux in blue ink,
a vile liquid in a bottle to make fish bite, and other precious
possessions, yet Cynthia's society had no attractions for him
comparable to a day's trout-fishing. She was, after all, only a single
and a very undefined item in his general ideal world, and there was
no harm in letting his imagination play about her illumined head.
Since Cynthia had "got religion" and John had got nothing, his love
was tempered with a little awe and a feeling of distance. He was not
fickle, and yet I cannot say that he was not ready to construct a new
romance in which Cynthia should be eliminated. Nothing was easier.
Perhaps it was a luxurious traveling-carriage, drawn by two splendid
horses in plated harness, driven along the sandy road. There were a
gentleman and a young lad on the front seat, and on the back seat a
handsome, pale lady with a little girl beside her. Behind, on the rack
with the trunk, was a colored boy, an imp out of a story-book. John was
told that the black boy was a slave, and that the carriage was from
Baltimore. Here was a chance for a romance. Slavery, beauty, wealth,
haughtiness, especially on the part of the slender boy on the front
seat,—here was an opening into a vast realm. The high-stepping horses
Public-domain text, read in full here on John Shaqi.
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