Autobiographies; Boys -- Biography; Country life; New England
What a refreshment is that water-spout! All day long there are pilgrims
to it, and John likes nothing better than to watch them. Here comes a
gray horse drawing a buggy with two men,—cattle-buyers probably. Out
jumps a man, down goes the check-rein. What a good draught the nag
takes! Here comes a long-stepping trotter in a sulky; man in a brown
linen coat and wide-awake hat,—dissolute, horsey-looking man. They
turn up, of course. Ah! there is an establishment he knows well; a
sorrel horse and an old chaise. The sorrel horse scents the water afar
off, and begins to turn up long before he reaches the trough, thrusting
out his nose in anticipation of the cool sensation. No check to let
down; he plunges his nose in nearly to his eyes in his haste to get at
it. Two maiden ladies—unmistakably such, though they appear neither
"anxious nor aimless"—within the scoop-top smile benevolently on the
sorrel back. It is the deacon's horse, a meeting-going nag, with a
sedate, leisurely jog as he goes; and these are two of the "salt of the
earth,"—the brevet rank of the women who stand and wait,—going down
to the village store to dicker. There come two men in a hurry, horse
driven up smartly and pulled up short; but as it is rising ground, and
the horse does not easily reach the water with the wagon pulling back,
the nervous man in the buggy hitches forward on his seat, as if that
would carry the wagon a little ahead! Next, lumber-wagon with load
of boards; horse wants to turn up, and driver switches him and cries
"G'lang," and the horse reluctantly goes by, turning his head wistfully
towards the flowing spout. Ah! here comes an equipage strange to these
parts, and John stands up to look: an elegant carriage and two horses;
trunks strapped on behind; gentleman and boy on front seat and two
ladies on back seat,—city people. The gentleman descends, unchecks the
horses, wipes his brow, takes a drink at the spout and looks around,
evidently remarking upon the lovely view, as he swings his handkerchief
in an explanatory manner. Judicious travelers! John would like to
know who they are. Perhaps they are from Boston, whence come all the
wonderfully painted peddlers' wagons drawn by six stalwart horses,
which the driver, using no rein, controls with his long whip and cheery
voice. If so, great is the condescension of Boston; and John follows
them with an undefined longing as they drive away toward the mountains
of Zoar. Here is a footman, dusty and tired, who comes with lagging
steps. He stops, removes his hat, as he should to such a tree, puts his
mouth to the spout, and takes a long pull at the lively water. And then
he goes on, perhaps to Zoar, perhaps to a worse place.
Public-domain text, read in full here on John Shaqi.
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