Belgium: From the Roman Invasion to the Present DayCammaerts, Emile
History
Belgium: From the Roman Invasion to the Present Day
Cammaerts, Emile
Belgium -- History
Translations play a most important part in the literature of the time,
and it is significant that Belgium, from this point of view, owing no
doubt to her duality of language, acted as a pioneer for France. Just
as the Walloon provinces were first to discard Latin in public acts and
replace it by French, it is among their writers that the first and most
notable translators may be found. The tastes of translators and their
patrons were very catholic; science, theology, history and poetry
proving equally attractive. Another characteristic of French letters in
Belgium is the importance given to history. The first historical work
written in French is a translation by Nicolas de Senlis of the
_Chronicle of Turpin_, made for Yolande, sister of Baldwin V of
Hainault. In 1225 a clerk compiled for Roger, castellan of Lille, a
series of historical stories, the _Livre des Histoires_, taken from the
most various sources, from the creation of the world down to his own
time. Soon original works, dealing with local and contemporary events,
replaced translations and compilations. Such are the _Story of
Hainault_, written for Baldwin of Avesnes, and the rhymed _Chronicle of
Tournai_ by Philippe Mousket.
[_ROMANCES_]
The bourgeoisie soon became interested in the movement. But the
citizens of the towns enjoyed neither courtiers' poetry nor epics and
warlike histories. Satire and didactic works were far more to their
taste. As early as the first part of the twelfth century a priest,
Nivardus, collected the numerous animal stories which were told in his
time and in which Renard the fox, Isengrain the wolf, Noble the lion
and many more animal heroes play a very lively part. These tales, in
spite of their Oriental or Greek origin, had found a new meaning among
the townsfolk of the twelfth century, who delighted in the tricks of
Renard, whose cunning outwitted the strength of the great barons and
the pride of their suzerain. Translations from Nivardus were the origin
of the French versions of the _Roman du Renard_ and of the Flemish poem
of _Reinaert_, written by Willem in the thirteenth century, and which
surpasses all other variations of the theme.
Public-domain text, read in full here on John Shaqi.
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