Bell's Cathedrals: The Cathedral Church of Ely: A History and Description of the Building with a Short Account of the Monastery and of the SeeSweeting, W. D. (Walter Debenham)
History
Bell's Cathedrals: The Cathedral Church of Ely: A History and Description of the Building with a Short Account of the Monastery and of the See
Sweeting, W. D. (Walter Debenham)
Ely Cathedral
In the retro-choir a mosaic slab over the remains of Bishop Allen (d.
1845) has a curious history. A son of the bishop was passing through
Paris soon after Napoleon's tomb was finished, and the surplus materials
were offered for sale by auction. Some of these were purchased by Mr.
Allen and utilised for the slab over the bishop's grave. The large
monument to Canon Mill (d. 1853) has an effigy in copper on a support of
marble and alabaster; students of India and Cambridge are by the feet.
The tomb of Cardinal Luxemburg (d. 1443) is beneath the most eastern
arch on the south, just north of Bishop West's chapel. When the monument
was concealed behind some wood-work great dispute arose as to the
headdress of the effigy. Bentham has an engraving with a cardinal's hat
on the archbishop's head. Cole records that it was a mitre. When the
wood-work was removed it was found that the figure was headless, as it
still remains.
[Illustration: THE EARLY ENGLISH PRESBYTERY AND THE SUPPOSED SHRINE OF
S. ETHELDREDA.]
Corresponding to the chapel of Bishop Alcock on the north is that of
#Bishop West# (d. 1533) in the south aisle. This is a most valuable
example of the Renaissance style. The niches and canopies with which the
walls are covered are much smaller than those in the other chapel, and
consequently more numerous; but by reason of the great delicacy of the
tracery and the wonderful variety of the designs there is no impression
that the decoration is overdone. No perfect specimen is left of the
statues or of the heads which were introduced in the tabernacle work;
and in its complete state this exquisite work can have existed for not
more, than twelve or thirteen years, as the Order in Council for
removing images was made in 1548. The roof is curious, as being an
adaptation in the Renaissance of the late Gothic fan tracery Some
colouring remains. The wrought-iron gates, with motto in Latin several
times repeated, and the curious little pendants from the roof,
consisting of angels bearing shields of arms, should be noticed. Bishops
Greene (d. 1738), Keene (d. 1781), Sparke (d. 1836), and Woodford (d.
1885) are all buried in this chapel. On the south side, within a
shrine-like receptacle, have been placed the relics of seven early
benefactors of the church. Originally buried in the Saxon church, they
have been several limes removed. They were placed here in 1771. The
names are carved in seven shallow niches. One was an archbishop, five
were bishops, and the seventh was Alderman Brithnoth. The dates range
from 991 to 1067.
The very interesting early Norman monumental slab, with carving in
relief, preserved in the aisle, does not strictly belong to the
cathedral, having been found at S. Mary's Church. Above a round-headed
canopy are some Norman buildings; in the chamfer of the canopy is an
invocation of the Archangel Michael, a figure of whom below has wings
and nimbus, and in the robe a portion of a naked figure with pastoral
staff beside it.
Public-domain text, read in full here on John Shaqi.
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