Bell's Cathedrals: The Cathedral Church of Lichfield: A Description of Its Fabric and A Brief History of the Espicopal SeeClifton, A. B.
History
Bell's Cathedrals: The Cathedral Church of Lichfield: A Description of Its Fabric and A Brief History of the Espicopal See
Clifton, A. B.
Lichfield Cathedral
The vaulting of the roof is like that in the choir; the same number
of ribs diverging from the slender shafts which run right down to the
bends of the arcade. Half-way up these shafts are niches, the brackets
and canopies to which are beautifully carved. These are old, but until
recently were empty, and no authentic record remained as to what were
the characters represented. Dr Stukeley believed that the figures had
been those of the five wise and five foolish virgins. This theory has
not, however, found sufficient favour to lead to a reproduction of their
effigies, for in 1895 the niches were filled with figures of ten virgin
saints and martyrs. These were executed by Messrs Farmer & Brindley, from
designs by Mr C. E. Kempe, and they may be warmly congratulated on their
work. The statues are really beautiful, and are infinitely superior to
most of the other modern sculpture in the cathedral. It will be noticed,
too, that the figures seem the right size for the niches, instead of
being much too large, as in many other cases. The statues are as follow:--
1. St. Werburga, with pastoral staff and book, and a model of Chester
Cathedral at her feet.
2. St. Cecilia, with organ.
3. St. Prisca, with palm branch, and lion at her feet.
4. St. Faith, with sword and rack.
5. St. Catherine, with sword and wheel and open book, treading on
a monster.
6. St. Margaret, with book and cross, treading on a dragon.
7. St. Lucy, with palm branch and lamp.
8. St. Agnes, with palm branch and book, and lamb at her feet.
9. St. Agatha, with palm branch and tongs.
10. St. Etheldreda, with crown and pilgrim staff, and pastoral staff
and a model of Ely Cathedral at her feet.
[Illustration: THE LADY CHAPEL.]
Public-domain text, read in full here on John Shaqi.
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