Bell's Cathedrals: The Cathedral Church of Lincoln: A History and Description of its Fabric and a List of the BishopsKendrick, A. F. (Albert Frank)
History
Bell's Cathedrals: The Cathedral Church of Lincoln: A History and Description of its Fabric and a List of the Bishops
Kendrick, A. F. (Albert Frank)
Lincoln Cathedral
A detailed description of the interior of Lincoln minster may be fittingly
preceded by a brief review of its chief features. As regards the Presbytery
or Angel Choir, no one, with the exception of a recent American critic, has
ventured to lower the just reputation of this lovely work, distinguished
for a rare combination of beauty of architecture and sculpture. The next
place in point of architectural excellence must be assigned to the Nave,
a harmonious and characteristic example of the Early English style. But
the unique position the choir of St. Hugh holds in the history of Gothic
architecture should not be lost sight of. The principal interior defect,
and this rendered all the more conspicuous by the general gracefulness of
other parts, is the lowness of the vault. But, after all, there are only
four loftier vaults in England, and one of these is only higher by two
feet; nevertheless the defect is conspicuous, and is a serious one. Of the
windows, the most noticeable are the great east window and the two "eyes,"
and these are equal to any in their respective styles in the country. The
modern coloured glass which fills the former, as well as many lesser
windows in the minster, brings out in greater contrast the loveliness of
even the wrecks of the early stained glass still remaining in some others.
Considering that Lincoln once possessed the monuments of a queen, of
another direct ancestress of our Royal family, and of two bishops whose
fame has spread to the farthest limits of Christendom, as well as of
others of more local celebrity, it must be confessed that the monuments
at present in the minster are disappointing. That of Queen Eleanor is
represented by a modern reproduction; Catherine Swynford's is mutilated
almost beyond recognition; those of St. Hugh and Grosseteste are gone
altogether; and the ancient monuments which are left retain very little
of their original splendour.
The =Ground Plan= illustrates the lengthening process to which the building
has been subjected. It is a double cross, with side chapels extended
beyond the nave walls at the western end. The lesser transept has four
apsidal chapels towards the east, and the great transept has a single
eastern aisle divided into six chapels. The symmetry of the presbytery
has been disturbed by the addition of projecting chantry-chapels, one
on the north side and two on the south. The cloisters are accessible
from the eastern transept, and the chapter-house from the cloisters.
Public-domain text, read in full here on John Shaqi.
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