The southern limb of the transept was the site of a shrine which shared with those of the two St. Hugh's the attention of the numerous pilgrims to Lincoln. In the pavement near the western wall towards the Galilee Porch is a slab with the inscription _D'Alderby Episc._ MCCCXIX. His monument is said to have consisted of an altar-tomb of "rare marble," surmounted by a rich canopy. The shrine, of "massey silver," was enriched with diamonds and rubies, and encompassed with rails of silver-gilt. It went with the other valuables to replenish the coffers of the spendthrift Henry VIII. Leland mentions that Dalderby's "Tumbe was taken away _nomine superstitionis_." Two stone shafts belonging to the monument, and a fragment of a third, still remain against the wall. It will be remembered that it was through the energy of this bishop that the upper portion of the present central tower was erected. On the west wall, against the Galilee door, is a marble slab with a bust in relief of Dean Samuel Fuller (b. 1635: d. 1700), who received the appointment, according to Kennet, through the interest of the lay lords, who loved him for his hospitality and his wit. In the southernmost chapel, on the opposite side of the transept, is an altar-tomb against the south wall. Its date is about the end of the fifteenth century, and it is probably the tomb of Sir George Talboys. A stone screen filling the eastern tower arch separates St. Hugh's choir from the transept. The screen is a magnificent example of Decorated work, dating from about the end of the thirteenth century. It originally carried the crucifix or _rood_, which from the other end of the nave must have stood out clearly against the soft glowing colours of the great east window. On either side of the central doorway are four deep arches supported by detached pillars, decorated with grotesque heads and small figures of bishops. The wall behind is richly carved with diaper designs, shewing much freedom and variety. This screen was once decorated with colours and gilding, traces of which are still visible. It appears to have suffered a good deal at the hands of iconoclasts; many statues have doubtless been removed, and one must be very cautious with regard to the decoration which remains, as it was considerably restored by a mason named James Pink during the second half of last century. The screen now carries the organ erected in 1826, "when also the church underwent a thorough cleaning." The organ has since been enlarged. The richly-carved case was designed in the Gothic style by the architect E. J. Willson of Lincoln. In olden days the organ filled the easternmost arch on the north side of St. Hugh's choir. Hollar's view of the year 1672, in Dugdale's "_Monasticon Anglicanum_" shews it in this place. In its present position it serves to break the long _vista_, which otherwise might be somewhat monotonous, from the extreme west end of the nave. A new organ is in course of erection