The =Bishop's Throne= and the =Pulpit= are modern. The former is at the east end of the stalls on the south side. It was carved in wood by Lumby, in 1778, from a design by James Essex. It has a tall Gothic canopy, with a figure of Christ holding a lamb in His arms; and is further ornamented with small carved figures of saints and angels; the panelled front is new. The earlier throne, which the present one replaced, was designed by Sir Christopher Wren. The pulpit opposite is still later in date. It was erected in recognition of the services of Prebendary Trollope (afterwards Bishop of Nottingham) to the cause of architecture in the diocese of Lincoln. It was designed by the late Sir G. Gilbert Scott, and executed in 1863-4 by Messrs. Ruddle of Peterborough. The pulpit is of oak, with scriptural subjects in relief and statuettes. It has an elaborate Gothic canopy of wood, and a marble base. On the whole, it can hardly be said to be worthy of imitation. The subjects are carved with little regard to durability; some of the most delicate parts project so considerably that small portions have already been knocked off. The canopy, too, awkwardly fixed to the pillar behind, looks like a huge extinguisher, threatening to descend on the head of the preacher. In the middle of the choir is the litany desk, with the old stone beneath, inscribed with the words _Cantate hic_. The foundations of the eastern limb of Remigius' church lie beneath the floor; the semi-circular apse stretched a few feet beyond the spot where the litany desk now stands. A little way to the east is a fine brass chandelier, suspended from the vault by means of an iron rod, partly gilt. It has scrolling branches, supporting sixteen lights, and bears the date 1698. The brass lectern is of the eagle form, and was made in London, as an inscription records, in the year 1667. The following are the inscriptions it bears:--ECCLES CATHED B MARIÆ LINCOLN--DD. IOHANNES GOCHE ARMIGER AN. DOM. 1667; and above--GVLIELMVS BORROVGHES LONDINI ME FECIT 1667. The dates of these two fine specimens of brasswork suggest that they may have taken the place of earlier pieces removed by the soldiers of the Parliament.