Joined on to the end of Bishop Burghersh's tomb is the lofty base of a portable shrine. It has three niches, two on the north side and one in the front, for worshippers to kneel in. Over the arches are shields bearing the Instruments of the Passion. It is apparently of the same date as the bishop's monument. The old pavement slab, worn away by the feet of those who visited the shrine, has been left in front. Opposite to the Burghersh monuments, just to the south of the great east window, is the monument of Nicholas de Cantelupe, third Baron Cantelupe, who died in 1355. This warrior was much occupied in the wars of Edward II. and his successor, Edward III. He founded Cantelupe College, a college of priests to celebrate at the altar of St. Nicholas,[10] which stood near the tomb, at the eastern end of the south aisle. Baron Cantelupe's widow, Joan, enlarged the foundation, and probably built the Cantelupe chantry house in the minster yard. The effigy, in armour, is now headless and legless. Round the base, on the south and west sides, are shields of arms in panels, which shew traces of colouring. The monument has a lofty Gothic canopy. Just westward is buried Prior Wimbische (or Wymbysh, d. 1478) "in a fayre Highe Tombe." This monument, like the adjoining one, has shields of arms on the base, and a rich canopy above; the effigy is headless. Near these tombs, at the south-east corner of the choir, is the monument to William Hilton, R.A. (b. 1786: d. 1839), and his brother-in-law, the famous water-colour painter, Peter De Wint (b. 1784: d. 1849). Hilton lived in a house, still standing, not far from the minster. His friend De Wint greatly loved the level plains of Lincolnshire and the surrounding country, and no artist was better able to depict its peculiar charms. The minster was one of his favourite subjects, and he painted it from several different points. The principal of these is a large water-colour in the South Kensington Museum, taken from near the castle gateway (see illustration, p. 33). The ancient houses seen near the Exchequer Gate are an interesting record of old Lincoln. The marble relief on the west side of the monument is copied from this picture. On the front are three marble reliefs from pictures by Hilton--the Woman with the alabaster box of ointment, the Crucifixion and the Raising of Lazarus. They are signed "I. Forsyth sculp." The monument is of stone, with Gothic tracery, and has four kneeling angels at the corners. It was erected in the year 1864 by the bereaved sister and widow, Harriet De Wint.