Bell's Cathedrals: The Cathedral Church of Rochester: A Description of its Fabric and a Brief History of the Episcopal SeePalmer, G. H. (George Henry)
History
Bell's Cathedrals: The Cathedral Church of Rochester: A Description of its Fabric and a Brief History of the Episcopal See
Palmer, G. H. (George Henry)
Rochester Cathedral (Rochester, Kent, England)
At the southern end of the great altar recess in the east wall, a small
pointed doorway opens into the little room [2], so noticeable outside,
in the angle between the transept and the south choir aisle. This room,
like so many other parts of the building, has had considerable
vicissitudes. Here are said to have been kept at one time the valuables
belonging to the altars in this part of the church. Then, at the end of
the eighteenth and during the earlier part of this century, the room is
mentioned and marked on plans as the coal hole. It is now more
honourably used again, as the vestry of the masters and king's scholars
of the Grammar School, who have to attend the cathedral services on
Sundays and Saints' Days.
#The Crossing# is noticeable for the finely clustered shafts--the tower
piers. The clearance hence, in 1730, of a ringers gallery has been
already mentioned. In 1825 Mr. Cottingham found the space vaulted. His
changes in the tower included a replacing of the vault with a flat
wooden ceiling, of which the main beams ran from east to west. This he
changed again in 1840 for the present more elaborate, but not altogether
satisfactory ceiling, with its great cross beams and pendant bosses. An
admiring contemporary account tells us that the largest of these bosses,
though looking so small from below, are 3 feet 3 inches in diameter,
while the beam mouldings are 5 feet 3 inches in girth, and the wall
mouldings 5 feet 7 1/2 inches. The ceiling is coloured, but for neither
colouring nor ornament does it deserve praise.
[Illustration: THE SOUTH TRANSEPT (FROM A PHOTOGRAPH BY H. DAN).]
#The North Transept# was erected about 1235, in the Early English period
and style. The screens to the gallery before the clerestory lancets have
a main arch in each bay, with dog-tooth moulding, divided into three by
Purbeck marble shafts placed the width of the window apart. In each bay
without a window there is a row of blind arcading, which, like the
mouldings of the arches by which the gallery passes through the wall
piers, springs from carved corbel heads. In the transept end the screens
before the three lancets of the clerestory are of the usual form, but
are adapted to their graduated heights, and there are small additional
arches, one at each side.
Public-domain text, read in full here on John Shaqi.
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