On the north wall, directly opposite the bishop's throne, there still remains a portion, about 5 ft. 10 in. high and 2 ft. 2 in. wide, of an old fresco painting of that favourite mediaeval subject, #The Wheel of Fortune#. This was uncovered when the older pulpit was taken down to make room for Mr. Cottingham's in 1840. At that time, we are told, the background had a diaper of small flowers, and there was the outline of a shield above, in which, however, no charges could be traced. Fortune, pictured as a queen, is robed in yellow, and regulates the movement of her wheel, of the same colour, with her right hand. It is interesting to trace the changes in the dress of the other figures. At her feet a man, plainly clad in a dark red gown, with green stockings and black shoes, is trying to gain a position on the wheel. Above this poor struggling one we see one who has risen halfway to the summit, and whose attire is correspondingly richer. His gown is a little lighter in colour, and has a hood to match; his sleeves are yellow, his stockings green, and his shoes ornamented. At the top is proudly and comfortably seated the present favourite, richly arrayed in a full robe of red turned up with white, with furs round his neck, a white belt and green hose. He looks towards the missing half of the picture, where others were no doubt represented as falling or fallen from the high place that he now holds, and his countenance seems to express mingled satisfaction and inquietude. [Illustration: THE WHEEL OF FORTUNE (FROM A DRAWING BY H. P. CLIFFORD).] This fresco dates probably from as far back as the thirteenth century. Attempts have been made to attach a more particular interpretation to it, to make it represent the rapid rise of Gundulf, for instance; but it seems correct to give it a general signification, to look on it as typical of the uncertainty and changeableness of earthly things. #The Pulpit#, of plain wood, designed by Sir G. Scott, stands at the north-east corner of the crossing. Its predecessor, by Cottingham, used to be directly in front of the bishop's throne, and is now in the nave. #The Lectern#, of brass, and in the well-known eagle form, is a gift from Bishop Claughton, and the stand to it was presented by Dean Scott. #The Altar# stands, it will be noticed, some distance in front of the east end, and there is a free passage all round. This position was proved to be archaeologically correct when Sir G. Scott lowered the floor of this part of the church. The reredos, one of the fittings provided by Dr. and Mrs. Griffith, and designed by Scott, projects beyond the altar-table on each side in a way that is unusual and not altogether pleasing. It is of Caen stone, and contains a representation of the Last Supper in rather high relief, within a three-gabled canopy. The dark marble columns supporting the central gable are beautifully veined.