The windows of the south choir transept are also by Clayton and Bell. Those of the upper tier commemorate Major S. Anderson, C.M.G., Capt. W. J. Gill, R.E., and Capt. J. Dundas, V.C., and their respective subjects are: Moses during the fight against Amalek (Exod., xvii. 11, 12), Joshua and the Captain of the Lord's Host (Josh., v. 13-15), and David advancing to do battle with Goliath (I. Sam., xvii. 48-49). Those of the lower range,--in memory of Major R. Hume, C.B., Capt. R. Nichols Buckle, R.E., and Capt. C. W. Innes, represent the centurion's appeal to Christ for his servant's healing (St. Luke, vii. 9), the Crucifixion, with the centurion at the foot of the Cross (St. Mark, xv. 39), and the appearance of the angel to another centurion, Cornelius, with the legend: "What is it, Lord (Acts, x. 4)." The famous #Chapter House Doorway#, one of the finest pieces of English Decorated in existence, dates from the middle of the fourteenth century, probably from the episcopate of Hamo de Hythe. The full-length figures, one on each side of the door, symbolizing the Church and the Synagogue, were both headless when Mr. Cottingham restored the doorway, between 1825 and 1830. Much fault has been found with him for turning the first, which is thought to have been like the other a female figure, into a mitred, bearded bishop holding a cross in his right hand and the model of a church in his left. The blindfolded "Synagogue," by her broken staff, and the tables of the law held reversed in her right hand, typifies the overthrow of the Mosaic dispensation. Above are figures, two on each side, seated at book desks under canopies. These are supposed to be the four great Doctors of the Church: Saints Augustine, Gregory, Jerome, and Ambrose. Quite at the head of the arch, under a lofty pyramidal canopy, we see a tiny nude figure which represents probably a pure soul just released from Purgatory. If this is so, it would account for the flames from which the angels, on each side, bearing scrolls, seem to be rising. It has been suggested likewise that the distorted heads, which alternate with squares of foliage in the wider inside moulding of the doorway typify the sufferings of the soul in its passage. The outside moulding is also interesting, being a wide hollow in the bottom of which circular holes are cut at intervals. Through these can be seen the broad stem from which spring the leaves that ornament the intervening spaces. The arch head is ogee-shaped outside, with large external, and smaller, but not less rich, internal crockets. The square back to it, and the spaces beneath the corbels, on which the Church and Synagogue figures stand, are filled with noteworthy diapers. The first is divided diagonally into sunken squares, each containing a flower; and the others have lion masks in quatrefoils, with five petalled roses in the alternate spaces.