Two other manuscripts, relics of the old monastic library, have been found on the shelves, but the rest are scattered. This library must have been a rich one, for in a list, of as early as 1202, discovered by Mr. Rye in the Royal MSS. at the British Museum, there are as many as 241 works enumerated, mostly theological. Leland probably carried off many of them, since, out of eighty-six manuscripts in the British Museum, indexed there as having once belonged to the Rochester Monastery, no less than eighty-three are in the old Royal Collection. They are on vellum, partly illuminated, and many contain terrible anathemas against any who should deface or steal them. Two others have been found among Archbishop Parker's MSS. at Corpus Christi College, Cambridge, and one in Archbishop Laud's bequest to the Bodleian. The famous #Gundulf Bible# has an interesting history. All traces of it are lost between the time of the Suppression and 1734, when it was sold from the possession of a clergyman, Herman Van de Wall, at Amsterdam. Later, in the 1788 edition of the Custumale, we read that it had been again sold, not many years before, at Louvain, for 2,000 florins. It came back to England afterwards and, at the sale of the Rev. Theodore Williams in April, 1827, passed into the famous collection of Sir Thomas Phillipps for L189. Leaving the library we pass to the #South Choir Aisle#. This is twice as wide as that on the north side, and has acquired its present form by a curious series of changes. It was originally of the same width, and the south tower stood in the angle between it and the south transept. After the great twelfth century fires, a wall was carried eastwards from the middle of the tower to form the north side of the cloisters, which were then being repaired. A little later, possibly at the time when the south choir transept was built, the original aisle wall was removed and the whole space between the choir proper and the new cloister included in the aisle. The tower was not yet removed, in fact its demolition did not occur until about one hundred years later, towards the end of the thirteenth century. The present wooden roof was then erected, instead of a fine vaulting springing from a central pillar, which seems to have been originally intended. [Illustration: TOMB OF BISHOP BRADFIELD (FROM A DRAWING BY R. J. BEALE).] The flights of twelve and ten steps, which together take up the whole width of the aisle, lead respectively, up to the eastern part of the church and down to the crypt. The wooden enclosure over the crypt entrance is used as a vestry. Two doors open into the south choir transept, one from the vestry and one directly from the aisle itself. [Illustration: THE CRYPT, LOOKING TO THE NORTH-EAST (FROM A PHOTOGRAPH BY MESSRS. CARL NORMAN AND CO.).]