The south choir aisle has a window in memory of the late Duke of Albany, "Jacob's Dream," and two of the intended six windows of a hierarchy of angels--the Angeli Ministrantes and the Angeli Laudantes--designed by Sir E. Burne-Jones, and executed by William Morris, which are notably among the most superb examples of the art of glass painting since mediaeval times. Next in order towards the east is a window of fine design to the memory of the late Duke of Albany. In the south-west transept there are three Clayton and Bell windows: in memory of Archdeacon Macdonald, with three subjects from the Life of Christ; in memory of Bishop Douglas, and in memory of C.G. Verrinder; also one to the memory of Sir G.A. Arney, with Moses and the Tables of the Law, and the Sermon on the Mount; and the large south window, by Bell, to the memory of Dean Hamilton. Above the altar is a fine light window of last century work, singularly good of its kind--bad though the kind may be. In the south aisle of the nave is a window to the memory of Mr. W.M. Coates, with subjects, the miracles of healing, executed by Messrs. Clayton and Bell. In 1890 a fine modern window, from a design by Henry Holiday, was inserted in the south aisle of the nave. This has for its subject, "Suffer little children to come unto me." It is to the memory of John Henry Jacob and his wife. In 1620 Dr. Simpson mentions "three great windows newly glazed in rich colours to make the story of St. Paul." Throughout the cathedral, and in the Chapter House, were many specimens of geometrical painted glass, some of which are figured in Mr. Winston's Paper, before referred to. These have served as motives for much modern design, which, faithfully as it may have copied the forms, has generally missed the softened colour that distinguishes the original work. [Illustration: TOMB OF WILLIAM LONGESPEE, 1ST EARL OF SALISBURY (P. 47). _From a Photograph by Catherine Weed Ward._] HISTORY OF THE SEE.