Bell's Cathedrals: The Cathedral Church of Wells: A Description of Its Fabric and a Brief History of the Episcopal SeeDearmer, Percy
History
Bell's Cathedrals: The Cathedral Church of Wells: A Description of Its Fabric and a Brief History of the Episcopal See
Dearmer, Percy
Wells Cathedral
The spot where the altar of St. Catherine and All Virgins stood is now
"Sacred to the memory of John Phelips Of Montacute in this county
esquire. Descended from a line of ancestors, Whose names for two
centuries and a half abound in the annals of the county, He succeeded
at an early age to the paternal estates, And sustained the wonted
hospitality of his house. He soon became a most active and intelligent
magistrate," etc., etc.
THE CHAPTER-HOUSE STAIRCASE is entered by the doorway in the eastern
aisle of the north transept. There are few things in English
architecture that can be compared with it for strange impressive
beauty; the staircase goes upward for eighteen steps and then part of
it sweeps off to the chapter-house on the right, while the other part
goes on and up till it reaches the chain-bridge; thus the steps lie,
worn here and there by the tread of many feet, like fallen leaves, the
last of them lost in the brighter light of the bridge. Here one is
still almost within the cathedral, and yet the carts are passing
underneath, and their rattle mixes with the sound of the organ within.
The date of the staircase is clearly somewhere between that of the
chapter-house and that of the church itself. It is later than the
church, for it is built up against the transept buttresses, and it
contains some of the best examples of simple geometrical tracery,
while there are nothing but lancet windows in the church of Reginald
and Jocelin. But the simple geometrical tracery of its two four-light
windows prove that it was finished before the chapter-house was begun.
The arches of these windows are rampant, to follow the level of the
stairs; their beautiful circular tracery is massive, deeply-moulded,
and filled with remnants of rich glass; their shafts of blue lias have
naturalistic capitals which are in striking contrast both to the Early
English carving in the church and the full Decorated of the
chapter-house itself. Below the windows is a stone bench rising in
steps with a foot-pace of similar construction; this arrangement adds
much to the effect of the staircase, though it is marred by a modern
hand-rail.
Public-domain text, read in full here on John Shaqi.
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