GLASS OF THE NAVE, TRANSEPTS, AND AISLES.--Most of the glass of the west window was collected abroad, during his exile, by Bishop Creyghton, while he was yet dean (1660-70). The main part of it is devoted to the life and death of St. John Baptist, and is of excellent early sixteenth-century work, for under the fantastic figure of the executioner is the inscription _Sancti Johannis Decollatio_ 1507. The two other lights containing the large figures of King Ina and Bishop Ralph are, however, of later date, and to judge by their costume they should belong to Creyghton's own time; moreover, on the southern one are Creyghton's arms. Apparently the compositions at the extreme top and bottom of the middle light are much later; a little handbook on the cathedral by Mr John Davies, the verger in 1814, states that the then dean and chapter re-arranged and restored the window in 1813; these additions must belong to that time, and according to him they were brought from Rouen. Their ugly reds and blues certainly do not blend with the earlier glass, as do the figures of Ina and Ralph, but considerably mar the mellow and delicate effect of the whole. There are only a few slight fragments of old glass in the other windows. There are also two modern windows at the west end of the aisles. [Illustration: View Across Nave, Shewing Sugar's And Bubwith's Chapels.] BISHOP BUBWITH'S CHANTRY CHAPEL.--Two chantry chapels stand opposite each other under the ninth pier-arches of the nave. They are alike in general characteristics, though there is an interval of sixty years between them. The chantry of Bishop Bubwith (_ob._ 1424), who built the north-west tower, is formed by a hexagonal screen between the piers, the three eastern sides being filled with a reredos that gives the chapel a square appearance within. The screen is composed of the most light and elaborate tracery, its corners surmounted by a crest; it is open above, but has a rather coarsely-carved canopy over where the altar stood. Doorways, whose jambs are too delicately carved to have ever carried doors, give free access and a clear view of the interior from either side. Altogether it was an ideal place for votive Celebrations, when but few worshippers were present. The niches over the altar have been hacked level with the wall, and the little pillar piscina is also defaced. The triple shafts of the pier at the western end are corbelled off, the corbel being carved with Bubwith's arms (argent, a fess engrailed sable between twelve holly leaves vert, 4, 4, 4, and 4, arranged in quadrangles) impaled with those of the see. The altar here was formerly dedicated to St. Saviour.