Bell's Cathedrals: The Cathedral Church of Wells: A Description of Its Fabric and a Brief History of the Episcopal SeeDearmer, Percy
History
Bell's Cathedrals: The Cathedral Church of Wells: A Description of Its Fabric and a Brief History of the Episcopal See
Dearmer, Percy
Wells Cathedral
The body of Bishop Jocelin lies buried in the midst of the choir,
where he was laid in the place of honour as a founder. Bishop Godwin
relates that the tomb was "monstrously defaced" in his time, and all
traces of the burying-place were lost until, in 1874, an ancient
freestone coffin was found under the pavement in the midst of the
choir. Its covering stone had been broken, and the bones within
disturbed; but on its discovery the stone was renewed, and the
inscription _Jocelinus de Welles, Ep._ 1242 cut on it.
THE SOUTH-EAST TRANSEPT is the chapel of St. John the Evangelist, but
it is mainly occupied by a stove, one of those characterised by Mr
Freeman as "the most hideous stoves with which human perversity ever
disfigured an ancient building." Odds and ends are also kept here, in
accordance with the extraordinary idea, not yet quite extinct, that a
chapel is a place where rubbish may be shot. There is, nevertheless, a
decorated piscina in the east wall to remind one of its former
purpose. Against the south wall is the tomb of the learned _Dean
Gunthorpe_ (1472-98), who built the present Deanery, and gave to the
cathedral a silver image of our Lady, 158 oz. in weight. His initials
occur on the panels, I.G. on a blue ground, and also his arms, which
include guns, in allusion to his name. There are traces of colour,
especially a strong light blue on the panels. Unless one has good
nerves, it is advisable not to look at the window, which was given by
the students of the Theological College under Canon Pindar, its first
Principal. The middle of this unfortunate chapel is encumbered with a
monument to _Dean Jenkyns_ (_ob._ 1854), the ornamentation of which may
be taken as marking the lowest point to which the debasement of Gothic
design has descended. A row of tiles round it serves to make it more
conspicuous, and its unhappy prominence is further secured by a low
brass railing of unutterably bad workmanship. It was Dean Jenkyns who
restored the choir, and Professor Freeman remarks that on his tomb "is
written, with an unconscious sarcasm, _Multum ei debet ecclesia
Wellensis_," words which, he slily points out, seem to be borrowed
from Lucan's address to Nero, the destroyer of Rome, _Multum Roma
tamen debet_, etc.
Public-domain text, read in full here on John Shaqi.
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