#The Chapter-House# is entered by a doorway of most beautiful design, planned in the same manner as the western entrance of the cathedral, but plainer in decoration. It consists of a large arch divided into two smaller arches, each of which contains a door. In the head of the larger arch is a quatrefoil, at the bottom of which are two carved brackets for sculpture. Between the two smaller arches is a niche, with a canopy decorated with a double row of gables and finials. The niche contains a statue of the Virgin Mary and Infant Christ, so mutilated that little of their ancient beauty is left. Below this niche are four narrow shafts with capitals. On each side of the doors is a rich cluster of shafts, boldly cut and varied, with finely-carved capitals. The mouldings of the main arch and of the two subordinate arches are plain, but much thicker and bolder than those of the western doorway. On each side of the main arch are plain niches with small carved brackets. This doorway on the inner side is divided by a cluster of shafts, and above it is an oblong piece of masonry ornamented with arcading enclosed in an obtuse arch. Above the outer arches of the arcading, on each side, is a niche with sculpture. The chapter-house itself is octagonal in form, being divided into eight bays. Seven of these are filled with windows, the eighth, that over the entrance, being ornamented with blank tracery of the same design as that of the windows. These windows are very acutely arched, and their tracery is of the geometrical Decorated style. They contain five lights, each light terminating in a trefoiled arch. The central light has further a very acute arch above it, also filled with a trefoil. The two outer lights on each side are joined together by an arch above them, in which is a cinquefoiled circle. Above are three circles arranged pyramidally, each containing nine cusps. The mullions enclosing the central light are thicker than the others. All the mullions are broken up into very slender shafts with capitals. It may be safely said that for elegance, symmetry, and the ingenious filling of a given space, the tracery of these windows is not surpassed in Europe.