The fourth window is very fragmentary. It contains a beautiful figure of a saint in one of the top lights; the other top lights are by Peckett. In the central division, at the bottom, is the name of Archbishop Lamplugh, with a coat of arms. (Lamplugh's tomb is close to this window.) The last of those windows contain painted glass given by Lord Carlisle in 1804, and bought from a church at Rouen. It is a representation of the Visitation, Mr Winton says, taken from a picture by Baroccio, and dates from the end of the sixteenth century. The upper lights contain the original glass. The east window of this aisle is very fine in colouring, and fairly coherent in design. The subject is not clear. In the north aisle the east window is also very fine. It contains a representation of the Crucifixion, with St. John, St. James, and the Virgin. The first window from the east is very fragmentary. [Illustration: The East Window.] The next three are among the finest in the minster. Their beautiful and unusual arrangement of greys, browns, and blues, should be particularly noticed. Their top lights are empty. The other three windows contain paler, and less interesting glass; their top lights also are empty. The last of these was given by Archbishop Bowet. The two great windows in the small north and south transepts contain scenes from the lives of St. William and St. Cuthbert respectively. They are 73 feet long by 16 feet wide. They have both been restored, but their glass is mostly original. The St. Cuthbert window was probably given by the will of Longley, Bishop of Durham, who died in 1437. It contains, beside subjects from the life of St. Cuthbert, figures of members of the house of Lancaster. The glass in the clerestory is fragmentary, and contains restorations by Peckett. The glass in the chapter-house and vestibule is chiefly decorated. There are, however, fragments of Norman and Early English glass in the upper lights of the vestibule windows. The glass in the chapter-house itself dates from the time of Edward II. and Edward III. The design is chiefly made up of medallions and shields. There are some modern restorations in the glass; and one of the windows--there is no difficulty in distinguishing it--is wholly modern. All the glass, excepting the unfortunate modern example, is of the finest quality. CHAPTER V THE ARCHBISHOPS OF YORK