Her chantry is built of Caen stone, and the decoration is of Renaissance character. It is conjectured to be the work of the Florentine sculptor Pietro Torrigiano, who died in the prison of the Inquisition in Spain in 1522. He was engaged on Henry VII.'s tomb in Westminster, and other works ordered by Henry VIII. at Westminster and Windsor, from 1509 till 1517; and if this chantry at Christchurch is his design the date must lie between these two years. Two four-light windows with battlemented transoms look out on either side; to the west of these two doorways lead, one to the presbytery the other to the north aisle; on the east wall are three canopied niches, beneath which an altar stood or was intended to stand; the ceiling is richly carved with fan traceries and bosses; the latter have been mutilated--by order, it is said, of Henry VIII. A letter from the King's Commissioner thus describes the work done:--"In thys churche we founde a chaple and a monumet curiosly made of cane stone p^rpared by the late mother of Raynolde Pole for herre buriall, which we have causyd to be defaced and all the Armis and Badgis to be delete." On the north side are twelve tabernacles. This chapel stands on a richly carved panelled basement, and all the walls are covered with minute carving; but here, as elsewhere, in late work we find the same forms repeated again and again, and we miss that wealth of fancy which gives each boss or capital carved by the earlier workers such a life and individuality. The side of this chapel that faces the north aisle is more elaborate than that facing the choir, and is necessarily more lofty, as its base rests on the floor of the aisle, which is lower than the floor of the presbytery. On the west face is one of several memorial tablets to members of the Rose family, who are buried in this aisle.