Bellarion stumbled out distracted. Nothing had gone as he intended after that too promising beginning. Perhaps had he not disclosed himself as Facino Cane's adoptive son, he would not have supplied the Regent with a pretence that should render plausible his comings and goings. But the necessity for that disclosure was undeniable. His conduct had been dictated by the conviction that he could do for the Lady Valeria what she could not without self-betrayal do for herself. Confidently he had counted upon instant action of the Regent to crush the conspirators, and so make the Princess safe from the net in which their crazy ambitions would entangle her. Instead he had made the discovery--from the single indiscretion of the Regent--that the Marquis Theodore was already fully aware of the existence of the conspiracy and of the identity of some, if not all, of the chief conspirators. That was why he had so readily accepted Bellarion's tale. The disclosure agreed so completely with the Regent's knowledge that he had no cause to doubt Bellarion's veracity. And finding him true in these most intimate details, he readily believed true the rest of his story and the specious account of his own intervention in the affair. Possibly Bellarion's name was already known to him as that of one of the plotters who met at Barbaresco's house. Far, then, from achieving his real purpose, all that Bellarion had accomplished was to offer himself as another and apparently singularly apt instrument for the Regent's dark purposes. It was a perturbed Bellarion, a Bellarion who perceived in what dangerous waters he was swimming, who came back that noontide to Barbaresco's house. CHAPTER X THE WARNING They were very gay that night at the hospitable court of the Marquis Theodore. A comedy was performed early in the evening, a comedy which Fra Serafino in his chronicle describes as lascivious, by which he may mean no more than playful. Thereafter there was some dancing in the long hall, of which the Regent himself set the example, leading forth the ugly but graceful young Princess of Morea. His nephew, the Marquis Gian Giacomo, followed with the Countess of Ronsecco, who would have declined the honour if she had dared, for the boy's cheeks were flushed, his eyes glazed, his step uncertain, and his speech noisy and incoherent. And there were few who smiled as they observed the drunken antics of their future prince. Once, indeed, the Regent paused, grave and concerned of countenance, to whisper an admonition. The boy answered him with a bray of insolent laughter, and flung away, dragging the pretty countess with him. It was plain to all that the gentle, knightly Regent found it beyond his power to control his unruly, degenerate nephew.