Benedetto Croce: An Introduction to His PhilosophyPiccoli, Raffaello
Philosophy
Benedetto Croce: An Introduction to His Philosophy
Piccoli, Raffaello
Aesthetics; Croce, Benedetto, 1866-1952
rather than the spirit to nature; which is the only process that makes
such a unification intelligible and significant.
The last of the five fundamental forms of philosophic error consists
in the arbitrary separation of the subject from its predicate, of
history from philosophy, and in the consequent position of the subject
as predicate, that is, of a mere representation as a concept. This
may sound rather abstruse, but can immediately be made clear by adding
that what Croce has in mind in this definition is the production of
myths. This error he therefore calls either historicism (from the
logical process by which it is produced), or mythologism (from the
form which it commonly assumes). A myth is to him not a mere poetic
or æsthetic imagination, but necessarily includes an affirmation or
logical judgment. It differs also from allegory, in which the relation
established between a poetic fiction and a concept is always more
or less openly declared to be arbitrary, and the two terms are not
confused with each other. In a myth, on the contrary, the poetic
fiction assumes the actual function of the concept, transforming both
philosophy and history into a fable or legend. Errors of this class
are frequent in every system of philosophy, when the thinker, either
consciously and deliberately, as in the case of Plato, or unwittingly,
as in Kant's _Ding an sich_ or in Schopenhauer's _Will_, fills the
gaps of his real speculation with a mere image. But mythologism is
more generally the form of religious error, since there is no religion
without a logical affirmation embodied in a myth. If myth and religion
coincide, as the distinction between myth and philosophy is that of
error and truth, of a false and a true philosophy, we must conclude
that religion as truth is one with philosophy, or, as Croce expresses
it, that the true religion is philosophy; and this appears to Croce to
be the conclusion of all ancient and modern thought in regard to the
history of religions. Philosophies have sprung up in all times from
the soil of religious thought, and more or less completely resolved in
themselves, and logically clarified, the obscure substance of myth.
This is Croce's clear-cut, unequivocal solution of the problem of the
relations between philosophy and religion: there is no place reserved
anywhere in his system for an either internal or external revelation
other than that perpetual revelation of truth, which is at the same
time history and philosophy.
Public-domain text, read in full here on John Shaqi.
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