Benedetto Croce: An Introduction to His PhilosophyPiccoli, Raffaello
Philosophy
Benedetto Croce: An Introduction to His Philosophy
Piccoli, Raffaello
Aesthetics; Croce, Benedetto, 1866-1952
The most common attitude of contemporary thought (and the one that is
therefore usually designated as common sense, and as such opposed to
philosophy) is a naively naturalistic one. But it would be a mistake
to regard it as a simple and spontaneous attitude, and to identify it,
for instance, with the naïve intuition of the artist, with a first
grade of knowledge as yet untroubled by logical problems. The artist's
vision is more distant from naturalism than the philosopher's concept,
since common sense, however unreflected and illogical, is in itself
a philosophy, and, though it may sound paradoxical, a transcendental
one. The artist constantly identifies himself with his object; in his
consciousness, the distinction between subject and object has not
yet arisen. But the naïve naturalism of which we are now speaking
is posterior to the logical judgment, in which that distinction
first appears; and is obtained by keeping separate the two terms of
the judgment, each of which exists only in relation to the other,
and by transforming that relation into a quality of the object. The
unity thus disrupted is artificially reconstituted by abolishing the
subject, that is, by treating the subject itself as merely an object
among many objects, or as a mere abstract intersection of objects. It
is with this form of naturalism that realism generally coincides, and
its abstracting process is the one that has been recently systematized
by the New Realists. The justification of the naturalistic conception
of truth, as truth of description, and the motive of its present
popularity, is that it rests on a method of knowledge which is
indispensable to the natural and mathematical sciences, and that the
sciences have come to usurp, in modern times, for reasons which are
obvious to every one, the place of science. It is not the less true,
however, that wherever that method is applied, it reduces the living
reality of life and thought to a heap of dead, immovable abstractions.
There is no real danger in this as long as the abstractions are taken
for what they are, and used as instruments for the purposes of our
doing and understanding; but when they are considered as a complete
equivalent of the living reality, then we become their prisoners, and
are shut out by them from all possibility of true understanding.
It is especially from the misuses of this method in the historical
and moral sciences, from the degenerations of sociology, psychology,
and philology, that we must be constantly on guard; lest in the very
sciences of the human spirit we should miss that which is their true
object, the human activity which creates the world of history and the
values of life.
Public-domain text, read in full here on John Shaqi.
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