Benita, an African romanceHaggard, H. Rider (Henry Rider)
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Benita, an African romance
Haggard, H. Rider (Henry Rider)
Adventure and adventurers -- Fiction; Africa, East -- Fiction
It was very lonely there in the silence, for no sound came from either
the Matabele or the Makalanga camps, and the bright moonlight seemed to
people the place with fantastic shadows that looked alive. Benita cried
a little now that her father could not see her, and then also sought
refuge in bed. Evidently the end, whatever it might be, was near, and of
it she could not bear to think. Moreover, her eyes were strangely heavy,
so much so that before she had finished saying her prayers sleep fell
upon her, and she knew no more.
Had she remained as wakeful as it was often her fate to be during those
fearful days, towards midnight she might have heard some light-footed
creature creeping to her tent, and seen that the moon-rays which flowed
through the gaping and ill-closed flap were cut off by the figure of a
man with glowing eyes, whose projected arms waved over her mysteriously.
But Benita neither heard nor saw. In her drugged rest she did not know
that her sleep turned gradually to a magic swoon. She had no knowledge
of her rising, or of how she threw her thick cloak about her, lit her
lamp, and, in obedience to that beckoning finger, glided from the tent.
She never heard her father stumble from his hut, disturbed by the sound
of footsteps, or the words that passed between him and Jacob Meyer,
while, lamp in hand, she stood near them like a strengthless ghost.
“If you dare to wake her,” hissed Jacob, “I tell you that she will die,
and afterwards you shall die,” and he fingered the pistol at his belt.
“No harm shall come to her--I swear it! Follow and see. Man, man, be
silent; our fortunes hang on it.”
Then, overcome also by the strange fierceness of that voice and gaze, he
followed.
On they go to the winding neck of the cavern, first Jacob walking
backwards like the herald of majesty; then majesty itself in the shape
of this long-haired, death-like woman, cloaked and bearing in her hand
the light; and last, behind, the old, white-bearded man, like Time
following Beauty to the grave. Now they were in the great cavern, and
now, avoiding the open tombs, the well mouth and the altar, they stood
beneath the crucifix.
“Be seated,” said Meyer, and the entranced Benita sat herself down
upon the steps at the foot of the cross, placing the lamp on the rock
pavement before her, and bowing her head till her hair fell upon her
naked feet and hid them. He held his hands above her for a while, then
asked:
“Do you sleep?”
“I sleep,” came the strange, slow answer.
“Is your spirit awake?”
“It is awake.”
“Command it to travel backwards through the ages to the beginning, and
tell me what you see here.”
“I see a rugged cave and wild folk dwelling in it; an old man is dying
yonder,” and she pointed to the right; “and a black woman with a babe
at her breast tends him. A man, it is her husband, enters the cave. He
holds a torch in one hand, and with the other drags a buck.”
“Cease,” said Meyer. “How long is this ago?”
Public-domain text, read in full here on John Shaqi.
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