The Spotted Boy was a fortune to him, though not all so black as
Jim Crow; and his affection grew with his growth. His portrait adorned
the Tusculum of the Showman; and, after his death, he could not withdraw
the green silk curtain from it without shedding tears. Had that boy
lived to be a man, there is no doubt but Richardson would have made him
independent of all the dark specks on life's horizon. As it was, he was
treated as by a father like a spotless boy, and buried in the catacombs
of the race of Richardson.
Next to the Spotted Boy, the performer whom Richardson most boasted of
having belonged to his company was Edmund Kean. He, with Mrs. Carey,
_quasi_ mamma, and Henry, _quasi_ brother, were engaged by our spirited
manager; and Kean, over his cups, used to brag of having, by tumbling in
front of the booth, tumbled hundreds of bumpkins in to the spectacles
within. He did Tom Thumb as tiny Booth does now at the St. James's
Theatre; and at a later period, viz. 1806, is stated to have played
Norval, and Motley in the Castle Spectre, for him at Battersea fair.
Another story adds, that he was called on to recite his Tom-Thumbery
before George the Third at Windsor; but we will not vouch for the truth
of the newspaper anecdote.
From the metropolitan glory of Bartholomew Fair, the transition to
the principal fairs of the kingdom was obvious. Mr. Richardson went
the whole hog, and, in so doing, had nearly gone to the dogs. At that
revolutionary period, neither the fairs nor the affairs of the country
were in a wholesome condition. Politics are ever adverse to amusements.
Vain was the attempt to beguile the snobbery of their pence; and our
poor caravan, like one in the deserts of the Stony Araby, toiled on
their weary march with full hearts and empty stomachs. At length it is
told, at Cambridge Fair,--well might it be called by its less euphonous
name of Stirbitch, so badly did the speculation pay,--that Richardson
and his clown, Tom Jefferies, of facetious memory, were compelled to
take a sort of French leave for London, leaving much of their _materiel_
in pawn. Undamped by adversity, they took a fiddler with them; and the
merry trio so enamoured the dwellers and wayfarers upon the road, that
they not only extracted plentiful supplies for themselves, but were
enabled to provide sufficiently for the bodily wants of the main body of
the company, who followed at a judicious and respectable distance.
Public-domain text, read in full here on John Shaqi.
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