While St. Croix was in the Bastile, he had formed an acquaintance with
an Italian of the name of Exili, to whom he communicated his views.
Exili excited him to vengeance, and taught him the way to obtain it
with impunity. Poisoning may be called, _par excellence_, an Italian
art. With many fine qualities, vindictiveness and subtlety must be
acknowledged to be strong features in the character of that people; and
hence their early superiority in this art of taking the most deadly,
and at the same time the safest, revenge on their enemies. It appears,
accordingly, (as we have already said,) that it was from the Italians
that the poisoners of other countries derived their skill. They
acquired the art of composing poisons so disguised in their appearance
and subtle in their effects, that they baffled the penetration and art
of the physicians of that age. Some were slow, and consumed the vitals
of the victim by almost imperceptible degrees; others were sudden and
violent in their action; but few of them left any traces of their real
nature, for the symptoms they produced were generally so equivocal,
that they might be ascribed to many ordinary diseases. St. Croix
greedily devoured the instructions of his fellow-prisoner, and left
the Bastile prepared to exercise his infernal art.
His first object of vengeance was M. d'Aubray himself; and he soon
found means to persuade the daughter to become the agent in the
destruction of her father. The old gentleman had a house in the
country, where he used to spend his vacations. All his fondness for his
daughter, whom he now believed to have been "more sinned against than
sinning," had returned; and she, on her part, behaved to him with an
appearance of affectionate duty. She anxiously attended to his every
comfort; and, as his health had suffered from the fatigues of his
office, she employed herself in superintending the preparation of nice
and nourishing broths, which she gave him herself with every appearance
of tender care. It is needless to say that these aliments contained
some articles of Italian cookery; and the wretch, as she sat by his
bed-side, witnessing his sufferings and listening to his groans, shed
abundance of crocodile tears, while she eagerly administered to him
remedies calculated to insure the accomplishment of her object. But
neither the agonies of the poor old man, nor his touching expressions
of love and gratitude to the fiend at his side, could turn her for a
moment from her fell purpose. He was carried back to Paris, where in a
few days he sunk under the effects of the poison.
Public-domain text, read in full here on John Shaqi.
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