Pushkin himself was not more dexterous; and, like him, our hero in the
course of his career signalised himself by several rencontres which
proved fatal to his antagonists, into the details of but one of which
I shall enter. He heard that nothing gives a young man greater _éclat_
at starting into society than a duel. Among those who frequented
the _salle_ was an old officer who had served in the campaigns of
Napoleon, one of the _reliquiæ Danaum_, the few survivors of Moscow;
for those who did not perish on the road, mostly fell victims to the
congelations and fatigues of that memorable retreat. Mascalbruni,
now a match for the _maître d'armes_, frequently exercised with this
old _grognard_, who had the character of being a _crane_, if not a
_bourreau des cranes_;[12] and one day, before a numerous _gallerie_,
having struck the foil out of his hand, the fencer so far forgot
himself, in the shame and vexation of defeat by a youngster, as to pick
up the weapon and strike the Italian a blow on the shoulders with the
flat part of the foil, if it be not an Irishism so to call it. Those
who saw Mascalbruni at that moment would not have forgotten the traits
of his countenance. His eyes flashed with a sombre fire; his Moorish
complexion assumed a darker hue, as the blood rushed from his heart to
his brain in an almost suffocating tide; his breath came forth in long
and audible expirations; his features were convulsed with the rage
of a demoniac. I only describe what Horace Verney, who was present,
faithfully sketched from memory after the scene. Mascalbruni, tearing
off the button of his foil, vociferated, putting himself in position,
"_A la mort, à la mort!_" The lookers-on were panic-stricken; but the
silence was interrupted by the clinking of the steel. The aggressor
soon lay stretched in the agonies of death.
Though he had now taken his first degree, Mascalbruni's education
was not yet complete. He had made himself master of French, so as to
speak it almost without any of the accent of a foreigner; and having a
magnificent voice, he added to it all the science that one of his own
countrymen could supply, and became in the end a finished musician and
vocalist.
Such was the course of his studies; and now, with all the _préstige_ of
his singular _affaire_ to give him _éclat_, the Marchese Mascalbruni
made his _début_. By way of recreation, he had frequently gone into
the gambling-houses of the Palais Royal, and had been much struck with
these words, almost obliterated, on the walls of one of them, "_Tutus
veni, tutus abi._" Mascalbruni was determined to profit by the advice,
and to confirm its truth by one solitary exception--to come and depart
in safety, or rather a winner.
Public-domain text, read in full here on John Shaqi.
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