But now she was forced to turn; the king called her name, and greeted her with a few friendly words. She bowed and looked up timidly. How cold, indifferent, and devoid of interest was his glance, and he had not seen her for weeks, and she had been ill and suffering! And now, she felt again that she hated him bitterly, and that it was the power of this passion which overcame her when she saw the king so unexpectedly. She felt, however, that every tone of his voice was like heavenly music to her ear, that every word he uttered moved her heart as the soft wind ruffles the sea. The king spoke of her portrait; he said he had made it his study and sought for its faults and defects, as others sought for its advantages and beauties. "I tremble, then, before the judgment of your majesty," said Pesne. "I must confess you have some cause to fear," said the king. "I have not looked at the picture with the eye of a lover, but with that of a critic; such eyes look sharply, and would see spots in the sun; no criticism, however, can prevent the sun from shining and remaining always a sun, and my fault-finding cannot prevent your portrait from being a beautiful picture, surpassed only by the original." "Perhaps, sire, I am myself one of the spots in the sun, and it may be that I grow dark." "You see, signora, how little I understand the art of flattery; even my best intended compliments can be readily changed into their opposites. Allow me, then, to speak the simple, unadorned truth. You are more beautiful than your picture, and yet I wonder at the genius of Pesne, which has enabled him to represent so much of your rare loveliness, even as I wonder at the poet who has the power to describe the calm beauty of a sunny spring morning." "That would be less difficult than to paint the signora's portrait," said Pesne; "a spring morning is still, it does not escape from you, it does not change position and expression every moment." Frederick smiled. "It would be truly difficult to hold the butterfly and force it to be still without brushing the down from its beautiful wings. But, paint now, Pesne, I will seat myself behind your chair and look on." Pesne seized his palette and brush, and began to paint. Barbarina assumed the light, gracious, and graceful attitude, which the artist has preserved for us in her beautiful portrait. She was, indeed, indescribably lovely; her rounded arms, her taper fingers, which slightly raised the fleecy robe and exposed the fairy foot, the small aristocratic head, slightly inclined to one side, the flashing eyes, the sweet, attractive smile, were irresistible; every one admired, and every glance betrayed admiration.