"I fear," said the youth. "your science is beyond my ability. I have no organ for it. My father is a celebrated physician in Quedlinburg; he would be greatly distressed if I should occupy myself with any thing else than philosophy and the arts. I myself have so little inclination and so little ability for the enjoyment of mirth and pleasure, that I dare not exchange the world of books for the world of men. I do not understand their speech, and their manners are strange to me." "But, without doubt, you have come to Berlin to learn something of these things?" "No, I have come to visit the medical college, and to speak with the learned and renowned Euler." "Folly and nonsense!" said Fredersdorf, laughing; "keep your dry pursuits for Halle, and give your time and attention to that which you cannot find there, gayety and amusement. I promise to be your counsellor and comrade. Let us begin our studies at once. Do you see that little theatre-bill fastened to the wall? Eckhof appears as Cato to-night." "Go to the theatre!" said Lupinus, shrinkingly. "How! I go to the theatre?" "And why not, friend?" said Joseph. "Perhaps you belong to the pietists, who look upon the stage as the mother of blasphemy and sin, and who rail at our noble king because he will not close these houses?" "No, I do not belong to the pietists," said the youth, with a sad smile, "and I try to serve God, by understanding and admiring His works: that is my religion." "Well, it seems to me that this faith does not forbid you to enter the theatre. If it pleases you to study God's master-work, I promise to show you this night on the stage the noblest exemplar. Eckhof plays this evening." "Who, then, is Eckhof?" Joseph looked at the young man with surprise, and shrugged his shoulders contemptuously. "You have, indeed, been greatly neglected, and it was high time you should come to me. You do not know, then, that Eckhof is the first tragedian who has dared to set aside the old and absurd dress and manners of the stage, and introduce real, living, feeling men, of like passions with ourselves, and who move and speak even as we do. Now we must certainly enter the theatre; look there, at that great crowd entering the dark and lowly entrance. Let us remove our hats reverentially; we stand before the temple of art." So saying, he drew the young man, who had no longer courage to resist, into the house. "This is Eckhof's benefit. You see the great tragedian has many admirers; it seems to me that half of Berlin has come to bring him tribute this evening."