Between-times they brought their quarters into better order; and this
despite numerous minor disputes. The last new picture did not always
find at once its proper place on the wall; and sometimes there were
discussions as to whether it should be toast or rolls, and whether
there should be eggs or not. Occasionally sharp tones and quivering
nostrils, but commonly amity and peace.
They were seen, or heard of, as going about a great deal together: to
lectures, to restaurants, to entertainments in the city. But they went
no longer, for the present, to Ashburn Avenue; they took their time to
remember Randolph's repeated invitation; and there was, as yet, no
further attendance at the studio in the Square,--for any reference to
the unfinished portrait was likely to produce sharp tones and quivering
nostrils indeed.
Other invitations began to come to Cope,--some of them from people he
knew but slightly. He wondered whether his swoon and his shipwreck
really could have done so much to make him known. Sometimes when these
cards seemed to imply but a simple form of entertainment, at a
convenient hour of the late afternoon, he would attend. It did not
occur to him to note that commonly Medora Phillips was present: she was
always in "active circulation," as he put it; and there he let things
lie.
One of these entertainments was an afternoon reception of ordinary
type, and the woman giving it had thrown a smallish library into closer
communication with her drawing-room without troubling to reduce the
library to order: books, pamphlets, magazines lay about in profuse
carelessness. And it was in this library that Cope and Medora Phillips
met.
"You've been neglecting me," she said.
"But how can I----?" he began.
"Yes, I know," she returned generously. "But after the first of
May--Well, he is a young man of decisiveness and believes in quick
action." She made a whiff, accompanied by an outward and forward motion
of the hands. She was wafting Amy Leffingwell out of her own house into
the new home which George Pearson was preparing for her. "After
that----"
"Yes, after that, of course."
Mrs. Phillips was handling unconsciously a small pamphlet which lay on
the library table. It was a magazine of verse--a monthly which did not
scorn poets because they happened to live in the county in which it was
published. The table of contents was printed on the cover, and the
names of contributors were arranged in order down the right-hand side.
Mrs. Phillips, carelessly running her eye over it while thinking of
other things, was suddenly aware of the name of Carolyn Thorpe.
"What's this?" she asked. She ran her eye across to the other edge of
the cover, and read, "Two Sonnets."
"Well, well," she observed, and turned to the indicated page. And,
"When in the world----?" she asked, and turned back to the cover. It
was the latest issue of the magazine, and but a day or two old.
"Carolyn in print, at last!" she exclaimed. "Why, isn't this splendid!"
Public-domain text, read in full here on John Shaqi.
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