"You haven't been accepting much of it lately," she returned, feeling
the point of a new brush. She spoke with the consciousness of empty
evenings that might have been full.
"Hardly," he replied. And he felt that this one word sufficed.
"Well, the coast will be clear after the twentieth of April."
"That is the date, then, is it?" The more he thought of the impending
ceremony, the more grateful he was for his escape. Thankfulness had
salved the earlier wound; no pain now came from his touching it.
"Yes; on that day the house will see the last of them."
"The wedding, then, will----?"
"Yes. Aunt Medora says, 'Why go to Iowa?--you're at home here.' Why,
indeed, drag George away out to Fort Lodge? Let her own people, who are
not many, come to us. Aunt will do everything, and do it handsomely."
She slanted her palette and looked toward the skylight. Cope's own
glance swept non-committally the green burlap walls. Both of them were
seeing pictures of the wedding preparations. Hortense saw delivery-boys
at the front door, with things that must be held to the light or draped
over chairs. She saw George haling Amy to the furniture-shops and to
the dealers in wall-paper. She saw them in cosy shaded confab evening
after evening, in her aunt's library. It was a period of joy, of
self-absorption, of unsettlement, of longing, of irritation, of
exasperation--oh, would it never end! Cope saw a long string of gifts
and entertainments, a diamond engagement-ring, a lavishly-furnished
apartment ... How in the world could he himself have compassed all
this? And how blessed was he among men that he had not been obliged to
try!
Hortense went through some motions with her brush, yet seemed to be
looking beyond him rather than at him.
"There will be a bridal-trip of a week or so," she concluded; "and they
will be in their new home on the first of May."
"Very good," said Cope. He thought he was thinking to himself, but he
spoke aloud. "And that ends it." This last he really did say to himself.
He sank more comfortably into his chair, kept his face properly
immobile, and spoke no further word. Hortense brought back her gaze to
focus and worked on for a little time in silence. The light was good,
her palette was full, her brushes were well-chosen, her eyes were
intent on his face. It was a handsome face, displayed to the best
advantage. She might look as long as she liked, and a long look
preceded every stroke.
Presently she paused, opening her eyes wider and holding aloft her
brush. "There will be a bride's-maid," she said.
"The deuce!" he thought. "That didn't end it!" But he said nothing
aloud.
"Guess who!"
"Why, how should _I_----?"
"Guess!" she cried peremptorily, in a tone of bitter derision. "You
won't? Well, it's Carolyn--our poor, silly Carolyn! And what do you
suppose she has started in to do? She is writing an epitha--an
epithal----"
"----amium," contributed Cope. "An epithala-mium."
Public-domain text, read in full here on John Shaqi.
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