Down on the beach itself, where the past winter's waste was still
profusely spread, Cope rose to the greening hills, to the fresh sweep
of the wind, and to the sun-shot green and purple streakings over the
water. The wind, in particular, took its own way: dry light sand, blown
from higher shelvings, striped the dark wet edges of the shore; and
every bending blade of sandgrass drew a circle about itself with its
own revolving tip.
Cope let the robust and willing Peter pick up most of the firewood and
himself luxuriated in the spacious world round about him. Yes, a winter
had flown--or, at any rate, had passed--and here he was again. There
had been annoyances, but now he felt a wide and liberal relief. Here,
for example, was the special stretch of shore on which Amy Leffingwell
had praised his singing and had hinted her desire to accompany
him,--but never mind that. Farther on was the particular tract where
Hortense Dunton had pottered with her water-colors and had harried him
with the heroines of eighteenth century fiction,--but never mind that,
either. All those things were past, and he was free. Nobody remained
save Carolyn Thorpe, an unaggressive girl with whom one could really
trust oneself and with whom one could walk, if required, in comfort and
content. Cope threw up his head to the hills and threw out his chest to
the winds, and laid quick hands on a short length of weather-beaten
hemlock plank. "Afraid I'm not holding up my end," he said to Peter.
At the house again, he found that Carolyn had brought the oil-stove
back into service, and, with Helga, had cast the cloth over the table
and had set some necessary dishes on it. He fetched a pail or two of
water from the pump, and each time placed a fresh young half-grown
sassafras leaf on the surface. "The trade-mark of our bottling-works,"
he said facetiously; "to show that our products are pure." And Carolyn,
despite his facetiousness, felt more than ever that he might easily
become a poet. Medora viewed the floating leaves with indulgent
appreciation. "But don't let's cumber ourselves with many cares," she
suggested; "we are here to make the best of the afternoon. Let's out
and away,--the sooner the better."
The three soon set forth for a stroll through spring's reviving domain.
Cope walked between Medora and Carolyn, or ahead of them, impartially
sweeping away twigs and flowering branches from before their faces. The
young junipers were putting forth tender new tips; the bright leaves of
the sassafras shone forth against the pines. Above the newly-rounded
tops of the oaks and maples in the valley below them the Three Witches
rose gauntly; and off on their far hill the two companion pines--(how
had he named them? Romeo and Juliet? Pelleas and Melisande?)--still lay
their dark heads together in mysterious confidences under the
heightening glow of the late afternoon sun. Carolyn looked from them
back to Cope and gave him a shy smile.
Public-domain text, read in full here on John Shaqi.
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