He had sometimes seen, half with amusement, half with a far deeper
interest, the physical effect which the music of some itinerant
piano-organ would produce upon street children; they seemed affected by
some curious intoxication; their gestures, their smiles, their
self-conscious glances, their dancing movements, so unnatural in a
sense, and yet so instinctive, made the process appear almost magical
in its effects. Though it did not affect him so personally, it seemed
to have a similarly intoxicating effect on Hugh's own mind. Even if
the particular piece that he was listening to had no appeal to his
spirit, even if it were only a series of lively cascades of tripping
notes, his thoughts, he found, took on an excited, an irrepressible
tinge. But if on the other hand the time and the mood were favourable,
if the piece were solemn or mournful, or of a melting sweetness, it
seemed for a moment to bring a sense of true values into life, to make
him feel, by a silent inspiration, the rightness and the perfection of
the scheme of the world.
One evening a friend of Hugh's, who was organist of one of the
important college chapels, took him and a couple of friends into the
building. It had been a breathlessly hot summer day, but the air
inside had a coolness and a peace which revived the languid frame. It
was nearly dark, but the great windows smouldered with deep fiery
stains, and showed here and there a pale face, or the outline of a
mysterious form, or an intricacy of twined tabernacle-work. Only a
taper or two were lit in the shadowy choir; and a light in the
organ-loft sent strange shadows, a waving hand or a gigantic arm,
across the roof, while the quiet movements of the player were heard
from time to time, the passage of his feet across the gallery, or the
rustling of the leaves of a book. Hugh and his friends seated
themselves in the stalls; and then for an hour the great organ uttered
its voice--now a soft and delicate strain, a lonely flute or a languid
reed outlining itself upon the movement of the accompaniment; or at
intervals the symphony worked up to a triumphant outburst, the trumpets
crashing upon the air, and a sudden thunder outrolling; the great
pedals seeming to move, like men walking in darkness, treading warily
and firmly; until the whole ended with a soft slow movement of perfect
simplicity and tender sweetness, like the happy dying of a very old and
honourable person, who has drunk his fill of life and blessings, and
closes his eyes for very weariness and gladness, upon labour and praise
alike.
Public-domain text, read in full here on John Shaqi.
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