summer evenings, under a low-hung moon. The whole scene, the homely bridge, the murmur of the water in the pool, the blossoming hedges, had a sense of delicate romance about it. It seemed to stand for so much happiness, and to draw Hugh into the charmed circle. The difficulty was somehow to believe that the place was in reality a centre of real and ordinary life; it seemed almost impossibly beautiful and delicious to Hugh, like a play enacted for his sole benefit, a sweet tale told. Those gracious persons in the garden seemed like people in a scene out of Boccaccio, whose past and whose future are alike veiled and unknown, and who just emerge, in the light of art, as a sweet company seen for an instant, and yet somehow eternally there. But the thought that they were persons like himself, with cares, schemes, anxieties, appeared inconceivable; that was one of the curious illusions of life, that the world through which one moved seemed to group itself for one's delight into a pleasant vision, which had no concern for oneself except to brighten and enhance the warm sunlit day with an indescribable grace and beauty. How hard to think that it was all changing and shifting, even while one gazed! that the clear water, lapsing through the sluice, was passing onwards, and could never again be at that one sweet point of its seaward course; that the roses were fading and dying beside him; that the pleasant group on the lawn must soon break up, never perhaps to reassemble. If one could but arrest the quiet flow of things for a moment, suspend it for a period, however brief! That was after all the joy of art, that it caught such a moment as that, while the smiling faces turned to each other, while the sun lay warm on the brickwork, and made it immortal!