In Hugh's temperament, sensitive and eager as it was, there was a
strong tendency to live in the future and in the past rather than in
the present. In the past, he realised, he could live without dismay
and without languor, because the mind has so extraordinary a power of
sifting its memories, of throwing away and disregarding all that is
sordid, ugly, and base, and retaining only the finest gold. But there
was a danger in dwelling too much upon the future, because the anxious
mind, fertile in imagination, was so apt to weave for itself pictures
of discouragement and failure, sad dilemmas, dreary dishonours,
calamities, shadows, woes. How often had the thought of what might be
in store clouded the pure sunshine of some bright day of summer; how
often had the thought of isolation, of loss, of bereavement, hung like
a cloud between himself and his intercourse even with those whom he
most feared to lose! He thought sometimes of that sad and yet bracing
sentiment, uttered by one whose life had been filled with every delight
that wealth, guided by cultivated taste, could purchase. "My life,"
said this wearied man, "has been clouded by troubles, most of which
never happened." But even apart from the sorrows which he knew might
or might not befall him, there was one darkest shadow, the shadow of
death, the cessation of beloved energies, of delightful prospects, of
the sweet interchange of friendship, of the bright and brave things of
life. Could one, he asked himself, ever come to regard death as a
natural, a beautiful thing, a delicious resting from life, an appointed
goal? It was the one thing certain and inevitable, the last terror,
the final silence, which it seemed nothing could break.
Public-domain text, read in full here on John Shaqi.
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