Jamie's cynicism slipped off in the enthusiasm of this reminiscence,
and he expressed the feeling of Drumtochty. No one sent for MacLure
save in great straits, and the sight of him put courage in sinking
hearts. But this was not by the grace of his appearance, or the
advantage of a good bedside manner. A tall, gaunt, loosely made man,
without an ounce of superfluous flesh on his body, his face burned a
dark brick colour by constant exposure to the weather, red hair and
beard turning grey, honest blue eyes that look you ever in the face,
huge hands with wrist bones like the shank of a ham, and a voice
that hurled his salutations across two fields, he suggested the moor
rather than the drawing-room. But what a clever hand it was in an
operation, as delicate as a woman's, and what a kindly voice it was
in the humble room where the shepherd's wife was weeping by her
man's bedside. He was "ill pitten thegither" to begin with, but many
of his physical defects were the penalties of his work, and endeared
him to the Glen. That ugly scar that cut into his right eyebrow and
gave him such a sinister expression, was got one night Jess slipped
on the ice and laid him insensible eight miles from home. His limp
marked the big snowstorm in the fifties, when his horse missed the
road in Glen Urtach, and they rolled together in a drift. MacLure
escaped with a broken leg and the fracture of three ribs, but he
never walked like other men again. He could not swing himself into
the saddle without making two attempts and holding Jess's mane.
Neither can you "warstle" through the peat bogs and snow drifts for
forty winters without a touch of rheumatism. But they were
honourable scars, and for such risks of life men get the Victoria
Cross in other fields. MacLure got nothing but the secret affection
of the Glen, which knew that none had ever done one-tenth as much
for it as this ungainly, twisted, battered figure, and I have seen a
Drumtochty face soften at the sight of MacLure limping to his horse.
Mr. Hopps earned the ill-will of the Glen for ever by criticising
the doctor's dress, but indeed it would have filled any townsman
with amazement. Black he wore once a year, on Sacrament Sunday, and,
if possible, at a funeral; topcoat or waterproof never. His jacket
and waistcoat were rough homespun of Glen Urtach wool, which threw
off the wet like a duck's back, and below he was clad in shepherd's
tartan trousers, which disappeared into unpolished riding boots. His
shirt was grey flannel, and he was uncertain about a collar, but
certain as to a tie which he never had, his beard doing instead, and
his hat was soft felt of four colours and seven different shapes.
His point of distinction in dress was the trousers, and they were
the subject of unending speculation.
"Some threep that he's worn thae eedentical pair the last twenty
year, an' a' mind masel him gettin' a tear ahint, when he was
crossin' oor palin', and the mend's still veesible.
Public-domain text, read in full here on John Shaqi.
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