Adventure stories; England -- Social life and customs -- 18th century -- Fiction; Mate selection -- Fiction; Smugglers -- Fiction
Lot Hardacre gave a sharp, savage cry, faltered, and fell back two
steps. His sword wavered helplessly in the air, his knees bent under
him. Both Beaty and Wilson ran to catch him as he staggered and sank.
The sword fell from his relaxed fingers. Jeffray, shocked at the sight
of this strong man’s agony of defeat, threw his sword away, and bent
over his cousin in generous distress.
“How is it with you, Lot?”
“A good quittance, and be damned to you.”
Bob Beaty knelt supporting Lot’s shoulders and pressing his hand over
the frothing wound in the man’s chest.
“My God,” he said, “what fools! We brought no surgeon.”
Jeffray, who was looking down at his cousin with mute regret, turned
suddenly, and, picking up Lot’s gaudy waistcoat, doubled it into a pad
and thrust it into Beaty’s hand.
“Hold it over the wound,” he said; “we must get him into the coach.
Drive to Stott’s house at Rookhurst. Quick, Dick, take his shoulders.”
Between them they lifted Lot Hardacre, gray-faced and bloody, weak as a
sick child, and carried him up the stairway along the terrace to the
coach. A frightened and shaking serving-man opened the coach door. They
lifted Lot in as gently as they could, and laid him along the seat with
his head resting against Bob Beaty’s shoulder. The serving-man slammed
the door and climbed up to the seat behind the coach. The postilion
whipped up his horses, and the clumsy carriage swung away on its great
springs, leaving Jeffray and Dick Wilson watching it side by side from
the terrace.
XXXIX
The anger had melted out of Jeffray’s heart from the moment that he had
helped to lift his cousin’s body and bear it with Beaty and Wilson to
the coach. The reaction was but the recoiling of a sensitive nature from
the violence that had brought a strong man in anguish to the ground. He
stood watching the coach as it rolled along between the trees casting up
a cloud of summer dust that drifted idly over the long grass.
Wilson, understanding something of the regret that had seized upon his
friend’s mind, laid his hand upon Jeffray’s shoulder.
“It was no fault of yours, Richard,” he said, looking earnestly into
Jeffray’s face.
The younger man hung his head and sighed.
“He forced the quarrel on me, Dick.”
“And what is more, sir, he had no intention of showing you much mercy.
You cannot blame yourself for the poor devil’s fury.”
Jeffray turned at last and remembered Bess. He had almost forgotten her
in the fierce emotions of the moment, and in the vision of Lot lying
bleeding on the grass. She was still kneeling on the stone bench at the
end of the terrace, her elbows on the balustrading, her face between her
hands. Wilson’s eyes were also fixed upon this solitary figure,
suggesting in its bleak aloofness some tragic influence working silently
upon the unfolding of the play. The painter glanced inquiringly at
Jeffray, nor was the significance of the look lost upon his friend.
“I can trust you, Dick,” he said.
Public-domain text, read in full here on John Shaqi.
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