American fiction -- 20th century; Short stories, American
“Oh, it’s too soon!” she said, putting up her hand to shield her
eyes from his lamp. “Not a word to say tonight; but tomorrow--at
four o’clock--we shall meet and talk it over. You have done
beautifully--superbly!” she continued. “I was looking through the
window when they dragged you off upstairs. And I heard every word
everybody said! Isn’t it perfectly glorious?--particularly Zaliska!
What an awful mistake it would have been if we’d left her out! Back,
sir! I’m on my way!”
Before he could speak, her car shot forward. He ran to his machine
and flung himself into it; but Arabella was driving like a king’s
messenger. Her car, a low-hung gray roadster, moved with incredible
speed. The rear light rose until it became a dim red star on the crest
of a steep hill, and a second later it blinked him good-by as it dipped
down on the farther side.
He gained the hilltop and let the machine run its maddest. When he
reached the bottom he was sure he was gaining on the flying car, but
suddenly the guiding light vanished. He checked his speed to study
the trail more carefully, found that he had lost it, turned back to a
crossroad where Arabella had plunged more deeply into the hills, and
was off again.
The road was a strange one and hideously soggy. The tail light of
Arabella’s car brightened and faded with the varying fortunes of the
two machines; but he made no appreciable gain. She was leading him into
an utterly strange neighborhood, and after half a dozen turns he was
lost.
Then his car landed suddenly on a sound piece of road and he stepped
on the accelerator. The rain had ceased and patches of stars began to
blink through the broken clouds, but as his hopes rose the light he was
following disappeared; and a moment later he was clamping on the brakes.
The road had landed him at the edge of a watery waste, a fact of which
he became aware only after he had tumbled out of his machine and walked
off a dock. Some one yelled to him from a house at the water’s edge and
threatened to shoot if he didn’t make himself scarce. And it was not
Arabella’s voice!
He slipped and fell on the wet planks, and his incidental remarks
pertaining to this catastrophe were translated into a hostile
declaration by the owner of the voice. A gun went off with a roar and
Farrington sprinted for his machine.
“If you’ve finished your target practice,” he called from the car with
an effort at irony, “maybe you’ll tell what this place is!”
The reply staggered him:
“This pond’s on Mr. Banning’s place. It’s private grounds and ye can’t
get through here. What ye doin’ down here anyhow?”
Farrington knew what he was doing. He was looking for Arabella, who
had apparently vanished into thin air; but the tone of the man did not
encourage confidences. He was defeated and chagrined, to say nothing of
being chilled to the bone.
“You orto turned off a mile back there; this is a private road,” the
man volunteered grudgingly, “and the gate ain’t going to be opened no
more tonight.”
Public-domain text, read in full here on John Shaqi.
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