Beth's wonder-winter : $b A storyTaggart, Marion Ames
General
Beth's wonder-winter : $b A story
Taggart, Marion Ames
Christmas stories; Girls -- Juvenile fiction; New York (N.Y.) -- Juvenile fiction; Ponies -- Juvenile fiction
Beth murmured an assent, but she was too much occupied with the
new scenes before her to do more. Rapidly the New York she knew was
changing into something as different from itself as her old home was
different from it. Shabbiness was creeping over it like a sort of
cloudy twilight. The buildings looked battered; so did the people
passing them, and swarms of children, who were too small to go to
school and too small to play on the sidewalk, were nevertheless playing
there in every block.
“It’s here,” announced Anna Mary when the cab stopped. She helped Beth
out, gathered up her skirts and gingerly led the way into a tenement
house.
“Try not to touch the railin’, Miss Beth,” said Anna Mary, mounting the
stairs.
Anna Mary knocked at a door which proved to be the right one. It was
opened by a woman dressed in bright colors, gold hoops in her ears;
a black-eyed baby, held against her shoulder, frowned timidly at the
sight of strangers.
The woman seemed to speak little English, but to understand perfectly
what Anna Mary said when she explained slowly, in carefully chosen
words, that Beth was the little girl who had been the means of saving
Annunciata from arrest as a thief and that Annunciata was to come on
Christmas eve to a tree at Beth’s home. Anna Mary laid down a card that
bore Mr. Cortlandt’s name and address, explaining that this was to tell
Annunciata where to go.
“Ye-es, a-tanka you. I not speeka, Annunciata speeka. I un’erstan’, no
speeka, me. Annunciata glada go see. Lika lil’ lady moocha, say great
times tanka she. Annunciata coma sure--sure!” said the woman with a
smile that revealed two rows of gleaming white teeth.
Beth smiled her best to supply deficiencies in the conversation, but
the room looked dreary to her, though it was not half as bad as those
she was to see later. Some attempt at decking it had been made. A
bright lithograph of Raphael’s Madonna della Sedia hung on one side
of the room, on the other another high colored lithograph of the
crucifixion. Paper flowers and a decorated candle stood on a shelf
beside the first picture; there was something besides mere eating and
drinking and their scarcity here, but poverty was written plain on
the room. Beth felt a shocked pity, as if New York, which had been so
abundantly kind to her, was not hospitable to these emigrants.
Public-domain text, read in full here on John Shaqi.
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