Betrothed for a day: Or, Queenie Trevalyn's love testLibbey, Laura Jean
General
Betrothed for a day: Or, Queenie Trevalyn's love test
Libbey, Laura Jean
American fiction -- 20th century; Dime novels
Once again he asked for Miss Trevalyn, instead of inquiring for Mrs.
Trevalyn, his thoughts were, alas! so full of the girl he had loved so
madly, so deeply--and lost so cruelly.
The servant stared for an instant blankly, but in the next he
remembered that that was the name of his young mistress before her
marriage, and with a low bow invited the gentleman to enter, throwing
open the drawing-room door for him.
John Dinsmore knew that she would recognize the name his card bore at
the first glance.
After much consideration he had thought it best to acquaint Mrs.
Trevalyn with the true state of affairs before seeing Jess--she being
the girl’s hostess, and the one whom she would seek advice from--after
he had had his interview with her.
He seated himself in the nearest chair and awaited her coming.
He had scarcely seated himself ere his eyes fell upon a picture of
Queenie, a life-size painting, hanging upon the opposite wall. His
heart was in his eyes as he gazed.
The old sorrow that he thought he had strangled to death by main force
of indomitable will seemed to have sprung instantly into new life. The
old sorrow was crying aloud. What vain, wild passion; what deep regret,
there was still in his heart! He tried to withdraw his eyes from the
fatal beauty of that pictured face, which was, ah! so lifelike, but it
seemed impossible for him to do so.
A mad desire which he could not repress seemed to draw him toward it,
and mechanically he allowed himself to cross the room and stand before
it. And he could hardly keep from falling on his knees before it,
touching the little hands that seemed so lifelike; and, God help him,
to restrain himself from kissing passionately the beautiful lips that
he had hungered so to caress from the first moment that he and Queenie
Trevalyn had met.
The temptation mastered him. “Just once; no one in the wide world will
ever know,” he muttered, hoarsely, “and what can it matter; it can do
no harm to the soulless canvas,” and, raising his feverish face, he
kissed passionately the lips of the picture, not once, but many times.
Then he turned away with his heart on fire, and flung himself down
into the depths of the great armchair again, burying his face in his
trembling hands.
“A love such as mine can never die,” he groaned, and he wondered how he
should ever be able to meet Queenie face to face, and live through it,
if it was such an effort to gain anything like composure when he came
suddenly upon her picture in her mother’s drawing-room.
He thought of the few happy weeks in which he had sunned himself in the
presence of his idol without a care or a thought of how it was to end,
although he should have realized the great gulf more clearly that lay
between them at that time--she being rich, and he poor as it is the
fate of most authors to be.
And lines of his own composing, lines which appeared in his book, came
to his mind:
Public-domain text, read in full here on John Shaqi.
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