Betrothed for a day: Or, Queenie Trevalyn's love testLibbey, Laura Jean
General
Betrothed for a day: Or, Queenie Trevalyn's love test
Libbey, Laura Jean
American fiction -- 20th century; Dime novels
At that selfsame hour, little Jess was sobbing her heart out in
Queenie’s boudoir.
She had promised to wed the man who represented himself to her to be
John Dinsmore on the morrow--ay, had promised to link her fate for weal
or for woe with a man whom she detested more and more each time she saw
him.
“If it were not a sin for which God would never, never forgive me, I
would end it all by taking my life here and now!” she moaned, clinching
her hands together so tightly that the pink nails cut the tender flesh;
but the pain in her heart was so severe, she never even felt the pain
of the self-inflicted wound.
Queenie was purposely keeping out of her way, for she did not care to
go over the ground that the marriage-to-be was all wrong--“all wrong
and terrible,” as Jess would pitifully express it. She had given her
consent, that was enough for Queenie; she never stopped to ask herself
how it was to end.
By this marriage, Raymond Challoner, masquerading under the name of
John Dinsmore, would gain possession of the Dinsmore millions, would
turn them into cash within a week’s time, and hand her over her share
of the cash for her share in bringing the marvelously daring scheme
about. Further than this she did not care to look.
Of course, there would be a terrible reckoning between the real and
the false heir, when the former turned up; but Queenie was content to
let them fight it out as they saw fit, as long as she had her share of
the money. She would go abroad, and in the mad whirl of Parisian life
would try to drown her fatal love for John Dinsmore, who had flung her
proffered love back into her face with such scorn.
By parting him effectually from the girl he loved, and bringing the
girl within prison walls on the grave charge of bigamy, when at last
he should find her, was revenge enough for even as sinister an arch
plotter as herself.
She realized that there would be a stormy scene between Challoner and
herself on account of her not telling him of the sudden appearance of
John Dinsmore, whom he confidently believed dead, and therefore out of
his way; and, most of all, that he had a legal claim upon the little
heiress of Blackheath Hall.
She had not even a spark of pity in her hardened heart for the wretched
young girl who was weeping her eyes out in her boudoir upstairs. She
gloated, rather, over the misery of the girl who had won the love of
the only man on earth whom she would ever care for.
“Let her cry!” muttered Queenie, hoarsely, as she paced up and down;
“all the grief she could know in a lifetime could not equal the
poignant misery I endured in the one moment John Dinsmore spurned me
from him, declaring that he would not divorce that girl and wed me for
all the wealth of the Indies--ay, to save his life, even, if it came
to that. Some day he shall learn that it was my hand that shaped this
affair, and brought the matter to a climax, and then he may, perhaps,
recall the lines of the poet who has said--and, ah, how truly:
Public-domain text, read in full here on John Shaqi.
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