Better days; or, A Millionaire of To-morrowFitch, Thomas
Philosophy
Better days; or, A Millionaire of To-morrow
Fitch, Thomas
Utopias -- Fiction; West (U.S.) -- Fiction
“A few days more, and I shall be leaving your hospitable roof,”
continued Morning.
“Why will you not take a me with you?” said Murella, with imperturbable
gravity, and with no change of expression.
The man illy concealed his look of surprise, as he tucked the richly
embroidered pillow more firmly beneath his head, and replied kindly:—
“Such a thing could not possibly be, little girl, for more reasons than
your pretty head could contain.”
“Then you do not a lof me, and you told a me a lie,” and the dark eyes
lit with a flame of Vesuvian fires like the red light in those of a
tiger.
“What do you mean, señorita?” and a faint flush overspread his own pale
face.
“I mean you call me your beloved Ella, such name as Americans give a me,
and you hold me close in your arms, and say you will never part from me,
not for one hour—only ten day ago—and now you leave a me!”
This was an awkward situation, and Mr. Morning recognized its full
significance upon the moment. In his delirium he had used the too
familiar name, and had coupled with its use endearments which had been
compromisingly misappropriated. He reflected a moment. There was nothing
left but to tell the truth and accept the consequences. Another girl
would laugh. What would Murella do?
“Señorita,” he began slowly, “I have, as you know, been very ill, and on
several occasions have lost my way in delirium, and have been wandering
over scenes belonging to other days. Can you not forgive me if I have
called you by a name which you mistook for your own prettier one? Can
you not pardon me if in my fevered imagination I gave you for the moment
a place long ago sanctified and dedicated to forgetfulness?”
“Then why cannot you lof a me? Am I not as lofely as she?”
“You are very beautiful, Murella.”
“Machacha!” shrieked the duenna from the entrance to the _ramada_, “what
are you saying?” and then followed invective in every key, and words of
scorn in every cadence, until, pale with anger and chagrin, the girl
sprang from her hammock and ran swiftly away.
For a long time our hero lay lost in speculation. After all, it was only
a misunderstanding, and not liable to be remembered overnight. In any
event, he had not compromised the maiden, and finally he concluded—as
was indeed the truth—that the cunning señorita was all the while
cognizant of the situation, and not at all deceived, and so he dismissed
the subject from his mind.
And what was the first move of the panic-stricken maiden? Speeding
swiftly over the ground, she sank in the shadow of the ocotilla hedge
inclosure, which formed the corral, and drew cautiously from her pocket
the letter committed to her care by Morning. Reopening it, for the
envelope, sealed only with mucilage, had been carefully broken, she drew
forth a picture of the Baroness Von Eulaw, older by many years than the
name she now bore, and much thumbed and worn beside.
Public-domain text, read in full here on John Shaqi.
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