“Washington’s Reflections” was a small portrait of Washington arranged so
that it was reflected in a triplicate mirror.
“The Most Brilliant Lights of the Washington Era” were a few lighted
candles. “The Lone Picket” was a single fence-picket. “The Tax on Tea”
showed a few carpet-tacks on some tea.
“A Little Indian” was a small portion of Indian meal.
“An Old-Time Fancy Ball” was a child’s gay-colored worsted ball, much
torn.
“Washington at One Hundred Years of Age” was a bird’s-eye map of the city
of Washington.
“Away down on the Suwanee River” was a map of Georgia showing plainly the
Suwanee River, on which was pasted a tiny bit of down.
“The Last of the Army” was simply the letter Y.
“A Member of Washington’s Cabinet” was an old brass handle from a
mahogany cabinet.
These and many other such quips made up an exhibition that amused people
quite as much as the display of real relics edified them.
The preparation of all these features meant a great deal of hard work,
but it was the sort of work made light by many hands, and so it was
enjoyed by all who engaged in it.
And so, by midday on the Fourth of July, everything was in readiness, and
the willing workers went to their homes, to return later, ready to reap
the results of their labors.
The grand march was to take place at three o’clock, and Columbia and
Uncle Sam were to review it from their stand on the veranda. This was to
be followed by the singing of the “Star-Spangled Banner,” accompanied by
the orchestra.
It had been arranged that Betty should sing the verses as a solo, and
that all the others, and indeed all the audience, should join in the
chorus. Betty had not cared specially about singing, but had
good-naturedly agreed to do so when the music committee asked her to.
Her voice had improved by reason of her singing lessons in Boston, and
after practising the national anthem with her mother, she felt that she
could manage its high notes successfully.
It seemed a little incongruous for a girl in a green costume and carrying
the harp of Erin to sing the American song, but Betty was of New England
parentage as well as Irish, and she was glad to show her double
patriotism. Constance was greatly pleased at her rôle of Columbia, and
her costume was beautiful. Very becoming, as well, was the striped red
and white skirt, and the blue bodice spangled with stars. A liberty-cap,
and a large well-made shield on which to lean, added to the picturesque
effect.
Mr. Dick Van Court was a humorous figure in his “Uncle Sam” suit. He
looked just as the Uncle Sam of the cartoons always looks, and as he was
a tall, thin young man, the character suited him well. A white beaver hat
and the long, sparse locks of hair and white goatee were all in evidence,
so that Mr. Dick’s costume was pronounced a success by all the visitors.
Public-domain text, read in full here on John Shaqi.
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